Women have long received the short end of the stick, both in the real world and in fiction. In Shakespearean times, female characters were almost always portrayed by male actors, despite the surplus of strong women in plays like The Merchant of Venice, King Lear, Macbeth, and The Twelfth Night.

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The science fiction genre wasn't very accepting of female characters for a long time, either, at least until authors like Ursula Le Guin helped break the mold. Movie characters like Alien's Ellen Ripley and Ex Machina's Ava eventually became cinematic landmarks, proving that female characters can be more capable than their male counterparts. That said, there are still far too many women in sci-fi who still need a storyline worthy of their epic personalities.

10 Claire Dearing Doesn't Need Any Emotional Lessons From A Velociraptor Tamer

Jurassic World

Claire Dearing in Jurassic World

The first Jurassic Park's Dr. Ellie Sattler is an exceptionally driven paleontologist, but she never once loses sight of what really matters. On the contrary, Claire Dearing in Jurassic World is a high-octane hard worker, so much so that she half-forgets to keep her nephews safe.

Moreover, Claire's subtle reaction to Owen fixing his motorcycle at the beginning of the film signifies that women, no matter how independent, will somehow lose their composure in the presence of grease-stained manliness. Claire is smart enough to handle the multiple aspects of her own personality without taking emotional lessons from an admittedly hunky velociraptor tamer.

9 Padmé Amidala Is Relegated To Romance, Heartbreak, And Painful Childbirth

Star Wars

Padme Amidala under attack in the droid factory in Star Wars Attack Of The Clones.

Luke is frequently thought of as the Chosen One's chosen heir, completely ignoring the fact this his sister Leia is also Darth Vader's biological daughter. Women in Star Wars have recently begun to get their time in the spotlight, with Rey showing up as the principle protagonist for all three sequels.

Unfortunately, Star Wars' prequel trilogy failed to benefit from any kind of female empowerment. Padmé Amidala was a proficient ruler and anti-Senate rebel long before she married Anakin Skywalker, but the story focuses more on her romantic relationship than her accomplishments. Amidala was even killed off after giving birth, almost as if she had no legacy to offer her twin children.

8 EVE Is A Female Robot Because Even Space Humans Can't Evolve Beyond Gender

Wall-E

WALL-E And Eve holding hands while Eve is asleep

Animated movies have been routinely criticized for depicting non-human female characters using human anatomical standards. Shark Tale's Lola is a lionfish/dragonfish combo, but she looks like Jessica Rabbit. Similarly, Shrek's Donkey only realizes that Dragon is female when he notices her long eyelashes and lipstick.

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Luckily, EVE in Wall-E doesn't adhere to these physical stereotypes, given her nondescript egg-shaped body and blank visor. However, EVE is one of very few female robots aboard the Axiom, making audiences wonder why there are gendered robots in the first place. Would Wall-E have fallen in love if a "male" robot had returned to Earth?

7 Amelia Brand Exposes Her Emotional Bias At Several Points In The Story

Interstellar

Anne Hathaway in Interstellar

Interstellar is a visual and auditory masterpiece, taking Christopher Nolan's creative aesthetic to extragalactic heights. Its story and characters, on the other hand, could use a serious rewrite. Blending emotions with hard science is an admirable endeavor in theory, but it rarely works when acted out.

Dr. Amelia Brand is supposed to be a renowned researcher and biologist, and she still believes that love can "transcend time and space." Although this explanation isn't meant to be taken literally, it devitalizes Brand's scientific prestige. What's worse is that Brand openly admits to being in love with Wolf Edmunds, which further affects her bias. She manages to locate a habitable planet in the end, but only out of sheer luck, minimizing her role in the film's final triumph.

6 Jennifer Parker Is Marty McFly's Highschool Sweetheart And Token Girlfriend

Back To The Future

Michael J. Fox, Claudia Wells and Christopher Lloyd in Back to the Future

Back to the Future and its equally entertaining sequels established the framework for teen sci-fi comedies. As one of the most influential movies in modern history, it takes viewers on a journey through time as well as society. Marty McFly and Doc Brown are forever cemented in pop-cultural memory.

Side characters like George and Lorraine McFly also play important roles, as Marty meets his mother and avenges his father in two different timelines. Jennifer Parker, however, isn't given the same opportunity to shine. Jennifer is a token girlfriend, someone who whispers sweet nothings in the adolescent protagonist's ear to get both him and the audience all hot and bothered.

5 Kaori Is Basically A Skeleton Of A Real Person

Akira

Kaori gets crushed by a mutating Tetsuo in Akira

​Kaneda wants to be with Kei, but the latter wants to free the country from the clutches of the Japanese Supreme Executive Council. Kei is a powerful woman who doesn't spend time dwelling on romantic prospects. Meanwhile, Kaori is basically a skeletonized version of what a real person should be like.

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Kaori ostensibly enables Tetsuo Shima's mindless actions and behavior and consequently ends her journey on a bitter note. Kairo is swallowed up and squashed by Tetsuo's rapidly expanding body, a wretched conclusion for a miserable character. At least the anime adaptation avoids the manga's portrayal of her as a woman forced into sexual servitude.

4 Vasquez Is A Female Character Who Embodies Toxic Masculinity

Aliens

Vasquez in Aliens

Private First Class Jenette Vasquez only goes by her last name because she wants to be considered one of the boys. Although this character opened doors for the depiction of badass female champions in action movies, Vasquez falls short on several counts. When Hudson mocks her for her masculine demeanor, she scornfully asks him if he'd "even been mistaken for a man."

This hilarious quote delivers a potent punch for '80s viewers, but it certainly hasn't aged well. Vasquez's retort is arguably sexist, and her brownface makeup was an obvious unforced error. On the plus side, she heroically sacrifices her life to save Ripley and Rebecca, taking a bunch of Xenomorphs with her.

3 Persephone Seems Like Nothing More Than A Jilted Wife

The Matrix

Perspephone in The Matrix

The Matrix is rich with wonderfully crafted characters of all genders. The Wachowskis had originally intended for Switch to be gender fluid, but "Warner Bros. nixed the idea." Nevertheless, the film is dominated by male-presenting characters, including Neo, Morpheus, Agent Smith, Mouse, Dozer, Tank, and the Architect.

Trinity, Niobe, and the Oracle might be central to the narrative, but other female characters like Persephone are excessively sidelined. While the Merovingian is an innately dominant force, the story makes Persephone seem like a jilted wife and nothing more. Having the brilliant Monica Belluci play someone as one-dimensional as Persephone is like rubbing salt in an open wound.

2 Korben Dallas Describes Leeloo In Crudely Anatomical Terms

The Fifth Element

leeloo-fifth-element

Leeloominaï Lekatariba Lamina-Tchaï Ekbat De Sebat is an epic name, befitting her status as a cosmic Supreme Being. As the titular fifth element, she's endowed with transformational power beyond anything the Earth has seen. And yet, Korben Dallas summarizes Leeloo in purely physical terms — "5'9", blue eyes, long legs, [and] great skin."

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Granted, Dallas doesn't know anything about Leeloo's origins at this point, but his description reeks of objectification. Leelo also arrives wearing minimal clothing, which the film calls "thermal bandages," as though this scientific-sounding term makes it any less misogynistic. It doesn't matter if Leeloo is an ordinary human or a divine entity; she deserves to be treated with respect.

1 Neytiri Should Have Been The Led The Na'vi

Avatar

Neytiri, played by Zoe Saldana, brandishes a bow and arrow in Avatar: The Way of the Water

Jake Sully and Neytiri te Tskaha Mo'at'ite are much like John Smith and Pocahontas, except their narrative relevance has been reversed. Neytiri is clearly the smarter warrior, but Jake somehow surpasses her cultural intelligence overnight, despite learning the ways of the Na'vi from her. He figures out how to tame the Great Leonopteryx, also known as the Turok, when Neytiri and the other Na'vi are still terrified to try.

That said, Neytiri puts up an impressive battle against Miles Quaritch in his MK-6 Amplified Mobility Platform suit, highlighting her combat prowess. Neytiri later becomes the Na'vi's Tsahìk, leaving Jake to lead her clan as the Olo'eyktan. Avatar was praised for avoiding the pitfalls of anthropocentric discourse, but Neytiri's portrayal remains questionable.

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