“Stan Lee and I never collaborated on anything! I’ve never seen Stan Lee write anything. I used to write the stories just like I always did.”
“It wasn’t possible for a man like Stan Lee to come up with new things — or old things for that matter. Stan Lee wasn’t a guy that read or that told stories. Stan Lee was a guy that knew where the papers were or who was coming to visit that day. Stan Lee is essentially an office worker, OK? I’m essentially something else: I’m a storyteller.”
“On The Fantastic Four, I’d tell him what I was going to do, what the story was going to be, and I’d bring it in — that’s all.”
“I created Spider-Man. We decided to give it to Steve Ditko. I drew the first Spider-Man cover. I created the character. I created the costume. I created all those books, but I couldn’t do them all.”
If you listen closely, you can still hear comics’ collective jaw dropping upon reading the above quotes, and many more like them besides, from Jack Kirby’s bombshell 1990 interview in The Comics Journal, conducted by editor and publisher Gary Groth. And now that the Journal has posted the interview online in its entirety, jaws will likely drop all over again.
It’s a fascinating document. Here you have the King of Comics himself, angry and exhausted from years of feuding with Marvel over credit and access to his original art, feeling personally slighted by the company’s other guiding light and figurehead Stan Lee, lashing out with the kind of bombast usually reserved for his spectacularly cosmic comics. In the course of recounting his career (with a little help from his wife Roz), Kirby basically takes sole credit for the creation of the entire Marvel Universe, from the Fantastic Four to Thor to the Hulk to the Avengers to even Spider-Man, relegating Lee to the role of an office boy and credit thief whose only contribution to most of the comics for which the pair shared billing was slapping his name on them and collecting checks.
Kirby’s boldest claims here have proven tough for even his most ardent defenders to swallow — and indeed he goes much further here in asserting sole authorship of the Lee/Kirby co-creations than he ever had in the past — but what his recollections may lack in historical accuracy they gain in evincing the passion he still felt for the work, the degree to which Marvel and Lee’s treatment of him hurt, and, as always, the astonishing imaginative power with which he infused every character he touched. Read the whole thing.
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