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Six artists explain how they stage a fight sequence

Anyone with even a passing interest in comics art and storytelling should set aside some time to read this A.V. Club discussion with three Marvel art teams -- Tradd Moore and Val Staples, Declan Shalvey and Jordie Bellaire, and Michael Walsh and Matthew Wilson -- about their approach to staging specific action scenes in their respective books All-New Ghost Rider, Moon Knight and Secret Avengers.

"I used a lot of panels here of varied sizes because I feel it gives the scene an undulating flow," Moore explains of an All-New Ghost Rider page. "I do that a lot with fight scenes. Speed up, slow down, rise, fall. It’s kind of mesmerizing to me. To make a comparison to metal: The small panels are like a frantic blast beat, while the bigger, clearer panels are like a heavy breakdown or head-banging riff. I imagine viewers’ eyes speeding up and slowing down, widening and narrowing, as they scan across the page. I think it’s the kind of page that warrants multiple, extended views."

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