Godzilla has changed many times over the decades, evolving from a terrifying metaphor for atomic destruction to heroic protector of the Earth, and most recently has been the face of the American Monsterverse franchise, but the most drastically different -- and terrifying -- version of the classic kaiju was Shin Godzilla. Released in 2016, Shin Godzilla introduced audiences to a new version of the King of the Monsters that looked and acted completely removed from what they had come to expect from Godzilla, and ushered in a new era of experimental stories for the classic monster, like the recent Godzilla Singular Point on Netflix.

While previous Godzilla reboots in Japan always kept the classic 1954 Gojira as canon, Shin Godzilla was the first reboot from Toho to start completely fresh and introduce audiences to a world that had never encountered Godzilla before. In this film Godzilla is a mindless juggernaut, causing utter destruction everywhere it goes, and is an ever-evolving organism that goes through several changes over the course of the film -- each one more refined, and terrifying, than the last.

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Shin Godzilla's Design is the Stuff of Nightmares

shin godzilla first form 2016

When the titular kaiju is first introduced in Shin Godzilla, it is almost unrecognizable from the Godzilla audiences have come to know and love, with giant bug eyes and small, stubby arms, flailing around on its stomach as it crawls out of Tokyo Bay. This jarring first look sets the tone for the rest of the film, telling audiences that this Godzilla will be like no previous versions. Later, it evolves into a more upright and larger menace, and finally into the gigantic form that somewhat closer resembles the classic Godzilla design, except with large, needle-like teeth, exposed muscle, an elongated tail and a hellish, charred black and red coloration. Shin Godzilla's eyes are its most unsettling feature, which go from large bug eyes to small, beady and vacant.

At the end of the film Shin Godzilla is stopped by the human characters, who use a coagulating agent to freeze it, but the final shot has terrifying implications. Frozen, humanoid monsters are shown emerging from Shin Godzilla's tail, suggesting that either the creature was asexually reproducing or breaking down into smaller versions of itself as part of its next evolution.

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Shin Godzilla's Destruction Is Beyond Devastating

Shin Godzilla breathing fire.

Unlike other iterations of Godzilla, Shin Godzilla seems to have no outward personality and just mindlessly destroys everything in its path. Not only does it level large swaths of Tokyo, but it also kills several of Japan's top government officials as they try to flee the burning city. Shin Godzilla has the signature atomic breath that has come to be associated with the monster, but it's far more powerful and devastating than in previous films and causes most of the city around Godzilla to go up in nuclear fire.

Shin Godzilla's destructive capabilities are matched only by its near invulnerability, as it takes over 16,000 rounds of ammunition, tank and missile blasts, as well as bombs -- all of which have no effect on it. The only time the monster becomes injured by an attack is when the U.S. drops MOP II bombs on it from above, but then Shin Godzilla quickly recovers and develops the ability to blast devastating energy beams from its dorsal plates. This new defense mechanism not only prevents Godzilla from being attacked from above, but also causes even more destruction to the city as it wipes out the bombers attacking it.

Though Shin Godzilla is definitely the scariest looking and most destructive version of the kaiju yet, what's even scarier is the real world subtext of the film. While the original Gojira was about nuclear attacks, Shin Godzilla is a metaphor for the 2011 Fukushima Daiichi nuclear disaster and Tohoku earthquake and subsequent tsunami. It shines a light on how unprepared the Japanese government was for these tragedies that killed more than 19,000 people. The scenes of death and destruction in Shin Godzilla are juxtaposed against scenes of politicians in board rooms dealing with bureaucratic red tape instead of solving the problem. At the end of the film, Godzilla is stopped by a group of people taking action and working together in the face of a crisis, though the haunting final shot hints that one day Shin Godzilla could return in an even more terrifying form.

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