Everyone's A Critic | A roundup of comic-related reviews and thinkpieces

• No doubt there will be a plethora of Seaguy-related reviews when the new series is completed, but for now you'll just have to content yourself with Jeff Lester, who offers an excellent analysis of the original series and claims the sequel is "worthy of your time and attention."

Nina Stone, however, had an entirely different reaction: "I’m guessing this is all somehow a commentary on superheroes and our culture. But, honestly, I can’t really figure out what that commentary is supposed to be saying."

• Every week it seems like more and more mainstream media outlets are reviewing comics. Here's one by the Chicago Tribune's Julia Keller, and here's another from Bryan at St. Louis Magazine.

David Welsh examines CMX's Astral Project manga series: "It's more inclined to drift than to progress, but it drifts in some very intriguing ways."

• Also at Comics Reporter, Tom Spurgeon emerges from a reviewing hiatus to talk about Tarzan The Jesse Marsh Years Vol. 1.

Jog continues his and Tucker Stone's dissection of Humanoids books with an interesting look at how changes in coloring can affect the impact of a work.

Sandy Bilus reads X-Men and Spider-Man 1-4 and declares "the art is the draw, here."

Noah Berlatsky compares Frank Quitely's work on All-Star Superman with that of Dokebi Bride manwha creator Marley and finds the former lacking:

The point here is that super-hero comics very rarely have a strong sense of wonder. With all the spectacular feats, you'd think they would -- but somehow they all end up as tricks; they're fun and goofy, or I guess more recently bloody, but they don't actually inspire awe. And I think it's because of something Tom said, "Superman keeps the universe our size." Super-heroes are there to make things more manageable. Awe — a sense of vastness, of human insignificance or vulnerability — is antagonistic to everything they stand for.

EXCL. PREVIEW: Black Hammer: Age of Doom #8

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