Vampires have inspired fiction in all corners of the world. While DC Comics' competitors have incorporated vampiric fiction into their lore, there is a noticeable lack of similar content in the DC Universe. Apart from notable examples like Elseworlds' Batman & Dracula trilogy and the 2005 animated movie, The Batman vs. Dracula, one title that comes to mind is I, Vampire. Originally a backup story in The House of Mystery in 1981, the series featured English vampire Andrew Bennett on a quest to save humanity from his former lover Mary, Queen of Blood. DC vs. Vampires blends previous mythologies and gives the tale a thrilling, modern spin, thanks to writers James Tynion IV and Matthew Rosenberg and artist Otto Schmidt.

DC vs. Vampires #1 brings a new breed of villainy to the Hall of Justice's door. Vampire Andrew Bennett has risked his life traveling for almost a week with the purpose of delivering a grave message to the Justice League regarding an incoming war. But just as he is about to reach his destination, an accident bares him out in the open sunlight. If it had not been for Green Lantern Hal Jordan, Bennett would have burned to the bone. Safe within the walls of the Hall, Bennett starts narrating his story unbeknownst to him that it might be too late.

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Andrew Bennett in DC vs Vampires #1

Matthew Rosenberg (Task Force Z) has joined forces with fellow writer James Tynion IV to deliver a fangtastic tale of vampires taking over the DC Universe. The issue gives no backstory to Bennett. Since it's a non-linear narrative, the plot relies on elaborate flashback sequences -- including a vampire ambush on the Legion of Doom -- to convey information. For a debut issue, DC vs. Vampires #1 is heavy on exposition and contains lengthy conversations that nevertheless flow organically. The issue also includes some blood-curdling twists. As its conspiracy unravels, the story's stakes become higher than before.

The talented Otto Schmidt (Green Arrow) draws, inks, and colors this riveting series. His dynamic lines help characters pop. Schmidt's signature stylized look paired with the story's seriousness creates a grimdark tone. Notably, Schmidt uses a range of vibrant colors and softly colored backgrounds to lull the reader into a false sense of security. Where the artwork truly shines is in its crimson-colored flashback panels that depict a haunting and sinister feeling.

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The Legion of Doom in DC vs Vampires #1

DC vs. Vampires #1 ends with an unforeseen twist as the superheroes slowly recognize a global threat. Tynion, Rosenberg, and Schmidt spend the issue emphasizing world-building at a steady and consistent pace before plunging into action. This debut issue also marks Andrew Bennett's first appearance in the Rebirth era: he plays a pivotal role, and it's a nice touch to see past characters and their legacy referenced. DC vs. Vampires #1 looks to test the boundaries of its age ratings while delivering a gripping tale of horror and heroics.

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