Produced by Peter Jackson, Mortal Engines is so loud and incoherent that it simply wears out the audience, and itself, by the end.
Articles by Josh Bell
Don't expect Game of Thrones is space from Syfy's dreary and bloated adaptation of George RR Martin's 1980 sci-fi novella.
J.K. Rowling's screenplay, filled with tedious info dumps and nods to Potter lore, is hurt further by uninspired direction and murky cinematography.
Paul W.S. Anderson's Origin gives YouTube a fun sci-fi series combining Lost in Space with Lost... in space.
Star Benedict Cumberbatch is wasted in Illumination's completely unnecessary and uninspired take on Dr. Seuss' The Grinch.
Julia Roberts debuts in her first-ever regular television role, helping to make Amazon's Homecoming a mostly successful adaptation of the podcast.
CBS All Access' Tell Me a Story flounders from that start by never fully committing to its fairy tale premise.
Hulu's adaptation of Light As A Feather offers nothing but cheap jump scares, boring teen romance and a generic supernatural menace.
The CW's Charmed reboot brings a bit of The WB's spark to the network, in all the right ways.
Netflix's adaptation of The Haunting of Hill House delivers genuine scares, but they're frequently overshadowed by the dysfunction of the Crain family
A relic from the era of LOST clones, NBC's new sci-fi drama Manifest presents a high-concept mystery but stumbles in the follow-through,
Jay Hernandez effortlessly slides into the role made iconic by Tom Selleck in CBS's charming reboot of the '80s crime drama Magnum PI.
Sean Penn's starpower isn't enough to help Hulu's The First achieve enough velocity for a successful take off.
Jim Carrey's new series casts the comic as a tragic Mister Rogers type character, but never brings the laughs it promises.
USA's show based on the hit franchise is solid, but it relies too much on the obvious rather than taking advantage of television's unique qualities.
The Innocents wants to be the next great supernatural teenage romance, but it's more often insipid and annoying instead.
A big budget and major push by Amazon can't make John Krasinski's turn as the semi-iconic Jack Ryan a true success.
Netflix's new series, Insatiable, is a train wreck of terrible jokes, unpleasant characters, gross stereotypes and idiotic storylines.
Despite all the freedom that comes from working with Netflix, Mat Groening's Disenchantment is a pretty conventional show - for now.
Though there are some enjoyable aspects, Lodge 49 ultimately commits the worst possible sin for a new show: It's very, very boring.