The first episode of Weird City, the new sci-fi comedy anthology from Jordan Peele, explores the pitfalls of dating apps in a dystopian future.
Articles by Josh Bell
The office is hell, especially when you're working in the heaven of Miracle Workers, the new TBS comedy that doesn't so much entertain as grate.
Russian Doll is a smart, consistently entertaining gem that deserves not to get lost in the weekly deluge of Netflix original programming.
Produced by Patty Jenkins and starring Chris Pine, TNT's I Am the Night promises a twisting murder mystery, but falls short.
Glass is an awkward conclusion to a trilogy that started out with great promise, which M. Night Shyamalan is ultimately unable to deliver on.
Unfortunately, SyFy's Deadly Class wants to be a lot cooler and more intimidating than it really is.
The Passage, Fox's new show about vampires with psychic powers who are destined to take over the world, is unbearably boring.
A lack of sharp writing and charismatic characters relegates Roswell, New Mexico to the annals of unimpressive television reboots.
The four-part adaptation is mostly faithful to the beloved novel, but Watership Down's murky visuals drag it down.
Paramount's Bumblebee is predictable but enjoyable, and a vast improvement on the previous Transformers movies.
The second season of Hulu's Runaways remains promising and fun despite some pacing and narrative missteps.
Produced by Peter Jackson, Mortal Engines is so loud and incoherent that it simply wears out the audience, and itself, by the end.
Don't expect Game of Thrones is space from Syfy's dreary and bloated adaptation of George RR Martin's 1980 sci-fi novella.
J.K. Rowling's screenplay, filled with tedious info dumps and nods to Potter lore, is hurt further by uninspired direction and murky cinematography.
Paul W.S. Anderson's Origin gives YouTube a fun sci-fi series combining Lost in Space with Lost... in space.
Star Benedict Cumberbatch is wasted in Illumination's completely unnecessary and uninspired take on Dr. Seuss' The Grinch.
Julia Roberts debuts in her first-ever regular television role, helping to make Amazon's Homecoming a mostly successful adaptation of the podcast.
CBS All Access' Tell Me a Story flounders from that start by never fully committing to its fairy tale premise.
Hulu's adaptation of Light As A Feather offers nothing but cheap jump scares, boring teen romance and a generic supernatural menace.
The CW's Charmed reboot brings a bit of The WB's spark to the network, in all the right ways.