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Slash Print | Following the digital evolution

by  in Comic News Comment

Conventions | Registration is closed for New England Webcomics Weekend, the March 20-22 event in Easthampton, Mass., that some already are calling “Webcomicstock.”

What’s Webcomics Weekend? It’s not really a convention, organizers say; it’s more a gathering — a free one, at that. It will feature panels, livedraw events, book signings, and guests such as Gene Ambaum and Bill Barnes (Unshelved), Danielle Corsetto (Girls With Slingshots), Rene Engstrom (Anders Loves Maria), Meredith Gran (Octopus Pie), Scott Kurtz (PvP), Ryan North (Dinosaur Comics) and R. Stevens (Diesel Sweeties).

E-devices | At Gearlog, Brian Heater tries out Bone, Jimmy Corrigan, New X-Men and Watchmen on Amazon’s new Kindle: “In my humble opinion, the best device for reading comics at the moment (besides, you know, old-timey comics themselves) is the iPhone.”

Webcomics | The Floating Lightbulb and The Comic Chronicles’ John Jackson Miller try to figure out what to make of GoogleTrends data showing a steady decline of unique visitors for many of the most-popular webcomics.

E-devices | Jason Ankeny lays out why mobile devices are the future of comic strips: “Few forms of creative expression are better suited to that kind of brief consumer engagement than comic strips. Life in Hell — a crudely illustrated but consistently sharp and insightful black-and-white strip  — would seem like a natural on a Kindle or on an iPhone, as would any number of classic daily efforts including Calvin & Hobbes, The Far Side, Krazy Kat or Doonesbury.”

Blogging | To mark the second anniversary of Super Punch, John Struan offers some good tips about blogging, with special attention to increasing traffic.

Social media | Gay & Lesbian Times looks out how artists are using DList, a social-networking site for gay men, to promote their work.

Podcasting | The Pittsburgh Post-Gazette profiles local comics podcasters.

E-publishing | Fictionwise, the e-book retailer recently purchased by Barnes & Noble, has sold an estimated 5 million digital titles since its launch in June 2000. (via GalleyCat)