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Report Card | ‘King’s Watch,’ the Riddler and more

by  in Comic News Comment

Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.

So read on to find out what we thought about Brain Boy, King’s Watch and more




Marvel Comics and writer Gary Friedrich agreed to settle their long-standing legal dispute over ownership of Ghost Rider. Terms have not been disclosed, but Reuters reports that Friedrich’s lawyer, Charles Kramer, said the writer and Marvel “have amicably agreed to resolve all claims between, among, and against all parties.”

The lawsuit centered on Friedrich’s claim that the rights to the Johnny Blaze version of the character reverted to him in 2001. A U.S. district judge ruled in Marvel’s favor in December 2011, but an appeals court overturned that this past June, and the case was set for trial.


Following negative reactions to the page they chose artists to draw for the Harley Quinn Open Talent Search, DC Comics issued an apology to those offended by the scene.

The page in question featured various panels showing Harley Quinn attempting to kill herself, with the last panel, which drew the most attention, showing her “sitting naked in a bathtub with toasters, blow dryers, blenders, appliances all dangling above the bathtub and she has a cord that will release them all. We are watching the moment before the inevitable death.”

DC’s apology came shortly after the the American Foundation for Suicide Prevention, American Psychiatric Association and National Alliance on Mental Illness expressed their disappointment in the publisher, calling the contest “extremely insensitive” and “potentially dangerous.”

“The purpose of the talent search was to allow new artists an opportunity to draw a single page of a 20-page story. True to the nature of the character, the entire story is cartoony and over-the-top in tone, as Harley Quinn breaks the 4th Wall and satirizes the very scenes she appears in. DC Entertainment sincerely apologizes to anyone who may have found the page synopsis offensive and for not clearly providing the entire context of the scene within the full scope of the story.”

Jimmy Palmiotti, who is co-writing the book with his wife Amanda Conner, also issued a statement this week about the page, adding that the scene in question is a Fourth Wall-breaking dream sequence.


After announcing in July plans to sell three of their five North Texas-based comic shops, comic retailers Buddy and Judy Saunders this week sold the remaining two locations in their Lone Star Comics chain.

The two locations, which include the flagship shop in Arlington and the Fort Worth location, are being purchased by longtime Lone Star employee Elaine Powell, her husband Les and their son Matthew at the end of the month. They’ll be renamed Wild West Comics & Games. The Saunders will continue to focus on their online store MyComicShop.com.

Buddy Saunders opened the first Lone Star Comics in 1977, and expanded throughout the Metroplex over the years with locations in Dallas, Mesquite, Irving, Fort Worth, Hurst, Plano and Wichita Falls, as well as an additional location in Arlington. Incidentally, the now-closed Dallas shop was the first comic shop I ever visited; I can still remember going through the back-issue bins to find copies of old Uncanny X-Men. Although I don’t live in Dallas anymore, it’s sad knowing that the chain will no longer exist.



King’s Watch #1

Written by Jeff Parker
Drawn by Marc Laming
Colored by Jordan Boyd
Lettered by Simon Bowland
Published by Dynamite Entertainment

If the ’80s Defenders of the Earth cartoon (and the Marvel comic it inspired) taught us anything, it’s that it takes more than just slapping Flash Gordon, The Phantom, and Mandrake the Magician together to make a good story. Jeff Parker and Marc Laming know this and play to each character’s strength while also creating important stakes and teasing the series’ big threat(s). The Phantom is the swashbuckling jungle adventurer he should be and gets to fight a giant reptile. Meanwhile Flash Gordon is funny, charming, and generally awesome as he and Dr. Zarkov build and pilot a ship to investigate a strange, potentially world-threatening phenomenon in space. Speaking of investigations, Dale Arden is the character Lois Lane fans wish their hero was right now. And finally, Mandrake mostly gets to be mysterious, which is also perfect. I can’t explain how this all happens so satisfyingly in just 22 pages, but it does. I want more right this second not because the issue lacks anything, but simply because I’m greedy. —Michael May


Batman #23.2

Story by Scott Snyder and Ray Fawkes
Written by Ray Fawkes
Drawn by Jeremy Haun
Colored by John Rausch
Lettered by Taylor Esposito
Published by DC Comics

Despite being one of Batman’s more well-known foes, The Riddler has long been seen as a fairly non-threatening villain. He’s not physically imposing, and his clue-leaving compulsion inevitably gets him thrown back in Arkham. However, for his Villains’ Month spotlight, writers Scott Snyder and Ray Fawkes just might have given him a makeover that’ll stick. They’ve made him the kind of super-strategist that’s fast becoming a movie trope. Think Raoul Silva (Javier Bardem) in Skyfall or the Joker (Heath Ledger) in The Dark Knight — the guy who knows just where to plant the bomb to cause the most damage, and who doesn’t mind getting captured because that’s part of the plan too. It’s a great angle because the Riddler is ideally suited to being that type of guy. He’s already got the right kind of background, and besides, a Riddler story already demands a little extra research. The scary thing about Batman #23.2 is that pretty soon, you realize there’s no Batman coming to capture the Riddler this time.

Snyder and Fawkes establish the Riddler’s credibility on the first page, flashing back to his initial Arkham incarceration to show a) he’s playing Solitaire with cards made out of his bedsheets and b) this is apparently worrisome enough that he loses bedsheet privileges. The rest of the issue describes his assault on Wayne Enterprises’ headquarters, apparently for no reason but to attract Batman’s attention (and, as a corollary, because he can).

Haun and Rausch combine for a book that looks washed-out, with the sick green of the Riddler’s suit popping out of the soft lines and dingy color palette. Burnt orange skies (and, later, explosions) contrast with gray interiors as the Riddler works his way up the Wayne Enterprises tower. Haun is economical with his storytelling, leaving a lot of panel-to-panel progression up to the reader, but not skimping on action where it’s needed. His scruffy-looking Riddler has the flyaway hair and unruly sideburns of a social outcast who still feels a certain hipster vibe, and the design is a nice contrast with the regular Wayne Enterprises employees the villain encounters.

Of course, the Riddler — in embryonic form — is one of the main villains of “Zero Year,” the twelve-issue flashback currently running in the regular Batman book, and this issue purports to be “continued” in issue #25 of that title. My one complaint about this issue is that I doubt it loops back around quite that cleanly into the main Bat-book, because dangerous as he might have been, I suspect this version has grown significantly from “Zero Year” into his present state of hypercompetence. Indeed, I’d love to see what Snyder and company do with present-day versions of the Riddler and Batman, because apparently they’ve decided to make him just as hypercompetent as the Darknight Detective. However, that’s unlikely to happen anytime soon, given the divergent natures of both “Zero Year” and Forever Evil. Accordingly, it’s a good thing this issue stands largely alone, even if it does only tease what would have been an epic battle of wits. —Tom Bondurant


Brain Boy #1

Written by Fred Van Lente
Pencilled by R. B. Silva
Inked by Rob Lean
Colored by Ego
Lettered by Nate Piekos of Blambot
Published by Dark Horse Comics

Every once and awhile, I am attracted to a series partially by who is editing it. Such is the case with the modern updating of the 1960s property Brain Boy, which is edited by Jim Gibbons. Gibbons knows how to match the right talent with the right characters.

Gibbons has paired veteran writer Van Lente with artist Silva to bring Brain Boy into the 2013 espionage landscape–and it works. Van Lente’s wit gives a pop to the dialogue that engages the reader instantly and Silva’s layout and character designs are sheer eye candy. A story with a hero reading minds had me hooked from the opening pages. —Tim O’Shea