Happy holidays to all the comic book movie fans out there. As
a special holiday gift, our pals over at ADV films have dropped
off a Comics 2 Film exclusive regarding the Lady Death animated
movie. Likewise Matt Wagner shares additional insights into
last week’s Mage movie announcement. These aren’t the only
under our tree. I’ll just wish you all a safe and happy
holiday and then turn you loose on this week’s stories!
LADY DEATH: THE ANIMATION
ADV Films and Chaos! Comics premiers it’s website promoting the upcoming
Lady Death animated feature which is apparently titled Lady Death: The
Animation. The new site can be found at http://www.ladydeaththemovie.com/.
However, at press time the domain name not fully propagated and may not
be accessible from certain locations for a few days.
According to Andy Orjuela of ADV, future updates to the site will feature
production artwork and animated trailers. The current site features a
run down of the characters from the cast and an interview with Lady Death
creator Brian Pulido. Here are some excerpts:
When asked how the animated movie will expand on Lady Death’s history
Pulido replied, “We will be looking at the origin of Lady death in the
upcoming OVA. It is her early history where we see her transition from
a girl named Hope to the female personification of death!”
Pulido also talked about the elements of the story that would be
emphasized in the movie, “We will focus on Lady Death’s early
history. The story will take us from the dark ages in Europe during
the black plague to the fiery pits of Hell.”
Finally, the writer had some general comments on animated versions of
comic books. Pulido said, “By and large, the Americans have not
delivered a quality product. WildC.A.T.S was mediocre. Spawn chooses
to de-emphasize the fantastic elements of the story, which does it a
great disservice. It is a dark, gloomy cartoon that might as well be
“I am a great fan of Japanese animation. I am sure Phoenix Entertainment is the right studio to bring Lady Death to life.
“With Lady Death I am committed to pushing the envelope and using
animation to do things live action cannot do. Lady Death’s story is
grand, epic and fantastic. I will not change that. If anything, in
the animation we will see Lady Death as I envisioned her for the first time.”
Go to the Lady Death website for a complete transcript of the interview.
ADV Films also launched a website promoting their upcoming theatrical
release called Spriggan at http://www.sprigganthemovie.com. The
production house will will be on a major national convention tour
promoting Lady Death: The Animation along with SIN: The Movie (based
on the computer game), and the theatrical release of Spriggan. Look for
tour details on the main ADV website.
Just last night Andy Orjuela, Special Projects Coordinator for
ADV Films dropped off an early holiday present for Comics 2 Film
readers. Santa Andy dropped off two pieces of design artwork
from the movie.
These illustrations represent the first such drawings available on
the internet. These and many others will soon be available on the
official website for the movie. Orjuela told C2F that they should
have all the kinks worked out with the LD:A domain name soon.
The first image is of Cremator. A young, medieval sculptor is
tragically transformed into this blacksmith for the lords of
hell. His fiery fists become awesome weapons as the artist
turned weapon smith fights to be free of his demonic enslavement.
The second image is of Father Orbec is the town clergyman who
accuses young Hope of devil-worship. He ultimately condemns
her to death, setting her on her journey to become Lady Death.
Matt Wagner spoke to Comics 2 Film last week about his recently announced Mage movie deal.
Andrew Cosby and Ross Richie of Critical Mass Entertainment are the producers of the movie. “They approached me actually, several years ago, they were fledgling producers and really wanted to give me a pitch on how they saw the movie running,” Wagner told us. “We’re really on the same wavelength as to what the movie should be.”
The trio are enthused about working with Spyglass Pictures, who recently optioned the movie. “Spyglass had seen the property a while ago and was very excited about it. When we finally put it fully out there, they were not only the first ones to bite but they were the ones that both Andrew and Ross seemed to think were in absolute agreement with what the movie should be.”
Spyglass appreciated the concept where other potential filmmakers didn’t seem to get it. Wagner explained, “Some of the interest we’d had from people were along these lines, ‘Yeah! Yeah! We love it! but can we get rid of the King Arthur stuff and does [a major character] have to die at the end?’ If it was a totally different property and movie!”
Spyglass on the other hand “seems to be more interested in making
it an accurate depiction. After seeing The Sixth Sense, they’re
obviously someone who’s willing to pay attention to story.”
Wagner’s also excited to have hooked up with screenwriter John
Rogers for the project, “We really feel like we caught John, on
his way up, in a big way. I think we’re going to see a lot of
important things from him.”
We asked Wagner how that relationship began. “He came looking for
us when he heard Spyglass had it because he’s such a big Mage fan,”
the comic creator told C2F. “He’s been a television writer and a
stand-up comic and he just sold his screenplay for Jesse James which
is just terrific. I forget which studio is doing it, but they’re
filming his first draft which is, like, unheard of. Once I read
it I could see why everybody immediately thought he could do Mage.”
Wagner continues, “[Jesse James] is very character heavy and yet
there’s also lots of action. He’s really great about doing dialog
amongst the group without being ponderous. Character gets exposed
during the action. His quips are funny, you don’t see them coming
a mile away. They’re not pop topical.”
Although he expects great work from Rogers, Wagner reiterated that
he doesn’t expect the movie to be exactly like the comic. “It’s
not going to be a panel-by-panel rendition. I don’t think it
should be a panel-by-panel rendition. The whole point is to catch
the various high points and a lot of the visual things that people
remember from it, like for instance, Kevin falling through the
elevator. It’s just important to catch those scenes. They don’t
necessarily have to be in exactly the same points they were in
the book. that’s what translation is all about.”
Wagner told us that the Mage movie may take precedence over the
third arc of the comics. However he won’t wait another 10 years
before continuing his semi-autobiographical work. “To me it’s
all allegory, it’s all metaphor which is the way I look at myth
and religion anyway,” Wagner said of the autobiographical nature
of Mage. “But the people that populate it are drawn from my real
life. The three witches in The Hero Defined: that’s my wife and
her sisters. The next volume will definitely be the Kevin and
Magda show. My son can’t wait until he’s in Mage.
“Mage is very strange for me. I don’t plan it out. It happens to me.
Unlike anything else I work on I don’t write out a plot, I don’t
do any thumbnails, I sit down with blank pages and just start
going. I know where I want it to take me, and where I want it to
end issue by issue but getting there is this page by page step by
step process. I love that with Mage. It just happens. It just
flows out of me.”
Another project for Wagner is the upcoming Grendel novel. About a
month ago, Greg Rucka, who had just signed a deal to adapt his
Whiteout as a movie, revealed he was writing a the novel which
Wagner will illustrate.
“Its a Grendel Prime story,” Wagner told C2F. “It’s just great, Greg’s a great writer.”
Wagner reveals that the story centers on “Susan Veraghen, the gal
with the white skin in the green hair [from Grendel: War Child].
It’s the story about how, she’s in exile, and she searches out
Grendel Prime who’s also in exile and becomes his companion.
They become a team basically. She’s his Robin.”
The illustrated novel is due out in April.
According to a posting by Tony Daniel on his F5 Entertainment website, feature films based on his comics The Tenth and
Adrenalynn are in the early stages of development.
“We are currently in negotiations with people in Japan to create a Tenth anime feature that would appear theatrically in Japan and then on video for release here in the States,” Daniel tells his readers. “We’re also looking into releasing a Manga version of the Tenth comic in Japan, which in turn would be also be produced in all the other countries, including America. Again, neither are done deals yet, but I thought you all might like to know what I’m up to, so wish me luck.”
Daniel later writes, “On Adrenalynn news, Alan McElroy, writer of
the Spawn movie as well as its first season of HBO cartoons, is
working on creating an Adrenalynn movie, based on some of the
ideas presented in her miniseries. Warner Bros. already have
already shown interest in producing it.” Daniel and company are
expected to pitch the concept to studios at the end of this year.
It’s been an interesting week for fans of the X-Men movie. Cinescape
wowed fans with a photo of Bryan Singer on the set, apparently sizing
up a shot of Magneto’s helmet. However, the story and the photo were
quickly pulled from the online magazine’s front page. The photo, along
with others, will appear in the January/February issue of the pint
edition of the magazine. The Magneto helmet can still be found on
various sites on the internet.
Meanwhile, the Daily Radar reports that Danny Elfman is tentatively
set to compose music for X-Men. Elfman’s music should be familiar to
comic fans. He composed the beautiful score for Batman as well as
providing music for The Flash, The Simpsons, Tales From The Crypt and
too many others to mention. However, this information conflicts with
previous reports that Singer collaborator John Ottman (The Usual
Suspects) would provide the score.
Corona Coming Attractions received a follow-up scoop on the
Elfman/Ottman story. An unnamed scooper claims to have e-mailed
Ottman and asked if he was still on board with the X-Men movie.
According to the scooper Ottman said he is “absolutely” scoring
X-Men. However, he also said that his directing duties on Urban
Legend 2: The Final Cut may create some interference.
Days after Cinescape unveiled the Magneto production photo, Corona
Coming Attractions granted fans a look at two of the character designs
from the movie. The site features two sketches, one of Magneto
and one of Cyclops, which are said to be costume designs for the movie.
The helmet seen in the Magneto sketch is very similar to the one seen
in the photo earlier in the week. The designs themselves are
reminiscent of the comic book costumes, but with less garish colors.
The site also reminds readers that the characters will reportedly
sport several outfits throughout the course of the film, so the two
seen in the sketches may not be the only ones worn by Magneto and Cyclops.
Still later, Corona came through with follow ups to recent rumors regarding the X-Men movie.
For starters, the website posted comments from composer John Ottman.
When asked if he was scoring X-Men Ottman replied, “Currently yes.
There is always a chance that the schedule of the film I’m directing
and the scoring schedule for X-Men may collide too closely. We’re
playing it by ear and biting our fingernails!”
Scoopers for the website have also e-mailed reports of sighting of
the X-Men teaser poster. According to all accounts, the poster will
sport the X in a circle emblem as if stamped on a huge metallic door.
A shaft of light is emanating from the center of the X, as if the
door were opening. The film’s release date of 7/14/2000 and the
website address (http://www.x-men-the-movie.com/) are the only text
presented on the artwork.
The site speculates that this may be the first of several teasers
where the doors open wider and wider revealing the team within.
Finally, new speculation about the trailer is that we may see it during Superbowl next year.
Jerry Scott recently dropped Comics 2 Film a note to let us know about the status of the animated show based on the popular comic strip he co-created: Baby Blues. We had reported last September that an animated Christmas special would air this month on the WB network, followed by a series for next year. Although the series has been filmed, the Christmas special will not air this year as planned.
Scott explains, “The WB decided for various reasons to hold back the Christmas special until maybe next year, and plans to start the series sometime this spring. All thirteen episodes are finished, and we’re waiting to hear an air date and time slot.”
Scott assures us that information will be forthcoming on the official website.
BATMAN BEYOND: RETURN OF THE JOKER
Warner Home Video has launched a website promoting the feature-
length, direct-to-video, animated Batman Beyond movie.
According to the site, the movie is to be called Batman Beyond:
Return of the Joker and will be available in Fall 2000.
Rob Allstetter of the Comics Continuum recently spoke with Batman Beyond
producer Paul Dini about the upcoming direct-to-video feature Batman
Beyond: Return of the Joker.
Dini told the Continuum, “Mark Hamill is back playing several key roles,
one of which is, of course, the Joker, who has miraculously turned up
in the time of Batman Beyond. The other role is sort of a surprise,
and that’s all I’ll say about it now.”
Melissa Joan Hart (Sabrina, The Teenage Witch) also turns up in the
movie, voicing twin hit-girls both of whom are named named Dee-Dee.
Dini also said that the story contains extensive flashback sequences
that bridge the gap between Beyond and the previous Batman Animated
series. Fans will learn what happened to Nightwing, Robin and Batgirl.
The show will also expand on Terry McGinnis’ character and motivations
for staying in the high tech bat suit.
The movie is due out November 7, 2000.
In his Dish column appearing in Daily Variety, Michael Fleming
reveals that Warner Bros. has optioned a portion of DC’s Doom
Patrol. The Crazy Jane character from Grant Morrison’s Vertigo
super team is set to be a feature film from producer Aaron
Meyerson. Meyerson developed the concept with Brian Nelson
(20,000 Leagues Under the Sea) who will write the screenplay.
The concept is described as “Sybill in spandex: she has a multiple
personality disorder, with each manifestation possessing a
different superpower.” The article states that the filmmakers will
aim for a darker tone.
A recent article in The Hollywood Reporter indicates that Scarlett
Johansson (The Horse Whisperer) is in negotiations to star in the
movie version of Daniel Clowes Ghost World. If signed, Johansson
will appear opposite Thora Birch (American Beauty) as Enid and
Rebecca. Previous reports indicated that Leelee Sobieski (Eyes
Wide Shut) had been in negotiations for Johansson’s role. The
movie will be directed by Terry Zwigoff (Crumb).
According to a recent article in The Hollywood Reporter,
Universal Studios has put the long awaited Archie movie into
turnaround. Tommy O’Haver (Billy’s Hollywood Screen Kiss)
had completed a first draft of the movie and was to direct.
Ben Myron (The Mod Squad) is the producer on the project.
The article claims that Universal is instead focusing its
energies on an adaptation of Josie and the Pussycats.
In an article from the Calgary Sun and presented online by Canada’s
Jam! Showbiz website, director Chris Columbus (Bicentennial Man)
talks about the prospect of directing the Fantastic Four movie, to
which he’s long been attached.
“Bringing this one to the screen is a budgeting nightmare,” Columbus
said. “One estimate was as high as $280 million US because every time
the four characters walk into a scene, it will cost upwards of
The director also mentions that the performance of X-Men will greatly influence the chances of a Fantastic Four movie. Both films are set up at 20th Century Fox.
Thanks to Cinescape for the lead.
Corona Coming Attractions reports that a fourth installment of
James O’Barr’s Crow movie franchise may center around the death
of a gansta rapper, a la Tupac Shakur. Citing Paula Guran’s
DarkEcho newsletter the fourth incarnation could be “a ‘HipHop’ Crow.”
Reports dating back several years have indicated that O’Barr
himself may handle the screenwriting chores on the fourth
installment. No word is given as to whether or not the above
story concept comes from the concept’s creator.
In the mean time, the third installment, The Crow: Salvation is
due out March of next year.
The VFXPro website reports that all eight episodes of the Harsh Realm
TV series are set to air next March on the FX cable network. The
show, based on James Hudnall and Andrew Paquette’s comic of the
same name, was one of the early casualties of the 1999 fall TV
season. Fox TV yanked the new show after airing only three episodes.
The visual effects company Pixel Envy went on to complete effects work
on all eight shows, in spite of the cancellation. No new episodes
have been ordered, but word is that FX is considering continuing the series.
Terry Rossio and Ted Elliot have been identified as the
screenwriters charged with the task of bringing Marvel’s Iron
Man to the big screen. The duo, who wrote last year’s The
Mask of Zorro among others, recently broke the news in an exclusive
interview with Eon Magazine. The pair reportedly pitched their
take on the character to both New Line and Marvel and were
“Obviously, everyone is interested in seeing what happens with X-Men,
but the only real similarity between the two projects is: they are
based on Marvel Comics properties,” Elliot told Eon. “I think New
Line feels pretty confident, based on their success with Blade,
that they’re capable of doing a good movie based on a superhero
character — even if other studios can’t.”
And what is their take on Iron Man? “It’s funny, in many ways
Tony Stark is one of the most generic alter-egos in the Marvel
Comics universe,” Elliott said. “It is the ways that Tony Stark
is different from that model that best define the character.
Specifically he is an engineering genius. Confronted with a
problem, he will work relentlessly until he solves it; which
means first understanding completely the nature of the problem,
and then seeking the most efficient, effective and elegant solution.”
Elliot went on to say, “Taking our cue from some of the other
elements intrinsic to Iron Man — high-tech manufacturing, ties
to S.H.I.E.L.D. and the U.S. Government, international businessman
— and some of the stories from the books, we’re going to throw
Tony into a very gray world, one which his money and his personality
have isolated him from for the most part. It will be a Gordian
knot of motives, actions and events which forces Tony to solve
the most fundamental question about himself: ‘What kind of man am I?'”
The writing pair refused to speculate on casting. Rumors from
previous years have indicated Nicolas Cage and Tom Cruise were
interested in the character. However, the property has changed
hands since those stories had circulated, and the question of
who would don the armor is still up in the air. Likewise the
pair have not decided on a villain for the piece yet. “As yet,
we have not found a villain from the comic books who fits the
needs of the story,” Elliott told Eon. “If we do, we’ll use
that character– no reason to re-invent the wheel, after all.”
For more information about Elliot and Rossio, check out their
excellent Wordplay website.
Lawrence Bender spoke with the Calgary Sun recently about the
long planned Modesty Blaise movie. In the article, which can
be found on the Jam! Showbiz website, Bender talked about the
difficulty he and partner Quentin Tarantino have had getting
the movie to the big screen.
“We just can’t get a screenplay we like. When we do, it should
be no problem casting it. Actresses will come out of the woodwork
to play Modesty,” Bender told the Sun.
Thanks to Cinescape for the lead.
Gossip columnist Liz Smith is claiming that Dogma star Ben
Affleck is “a major contender” for the lead role in the next
Batman movie. No word is given as to Smith’s source.
Rob Allstetter of the Comics Continuum recently spoke to Craig Miller
about the progress of the animated Elfquest feature. Miller is a
partner at Wolfmill Entertainment, who is producing the movie. He is
also one of the screenwriters working on the film, along with Wolfmill
partner Marv Wolfman and Elfquest creator Wendi Pini.
Miller reports that they’ve turned in the second draft of the screenplay.
The script is well-liked by all parties and will likely undergo a
“dialog polish” before production starts.
Miller told The Continuum that storyboarding and voice casting should
begin in mid-January. No names were mentioned in relation to casting,
but Miller did slip that they are talking to some major names.
According to the report, the movie is targeted for a 2001 release.
A scooper for Corona Coming Attractions confirms talk that Andrew
Kevin Walker (Sleepy Hollow, 8mm) is developing a screenplay for
the filmed adaptation of Marvel’s Silver Surfer. The writer
apparently told audience members he was working on the script
during an October writer’s network conference.
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