Though most of the characters featured on the upcoming Marvel's Inhumans TV show were created by Stan Lee and Jack Kirby back in the Silver Age of comic books, at least one is totally original to the series: Louise, as played by Ellen Woglom.

Up to this point, not much has been said about Louise -- and even her first name was withheld from the show's initial rounds of press, before it was disclosed last month at Comic-Con International in San Diego. It's known that Louise has a passion for all things space and lunar, and that she's a human without powers -- but she has been exposed to the Terrigen Mist. The character sounds like an entry point for the audience to the weird world of the Inhumans Royal Family, but plenty more remains to be revealed.

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Of course, just because Louise isn't from the comics doesn't preclude the possibility that she may be destined to effectively take the place of a character from the comics. Prior to Comic-Con, much of the discussion around Woglom's character centered on the theory that she may have been playing Special Agent Abigail Brand, the commander of space-focused S.H.I.E.L.D. offshoot S.W.O.R.D. -- and given how little we know about the character, it's at least worth a guess that she may end up playing a similar role. Heck, it's probably also worth speculating that the fact that her last name hasn't yet been revealed could also be of some importance, at least until it's established otherwise.

Woglom spoke to press including CBR earlier this year during a visit to the Hawaii set of Inhumans, where she revealed as much about her character as she could -- and spoke about the experience of shooting in the IMAX format, as the show's first two episodes will premiere Sept. 1 in IMAX theaters (advance tickets are now on sale) before debuting its eight-episode first season Sept. 29 on ABC. A slightly condensed version of Woglom's conversation with CBR and other outlets follows.

Inhumans cast members Anson Mount, Iwan Rheon, Serinda Swan and Ellen Woglom.

What can you tell us about your character? Who is she, what's her personality, how does she fit into the world of Inhumans?

Ellen Woglom: She's incredibly smart, incredibly focused; loves all things lunar, space. To a degree, she sort of has blinders on about it, and it can sometimes cause her to maybe not pick up on social cues all the time, or maybe say things without thinking about them first. She also is a very fun character, because she's very quirky. It's been really fun.

Is she our point of entry? It doesn't sound like she's part of the Royal Family, then, if she's obsessed with all things lunar. Is she sort of our point of entry as human eyes to meeting the Inhumans?

Well I don't know about that -- but [yes], point of entry. [Laughs]

How is the Inhumans as a property set apart from other MCU shows and movies? What gives it its unique flavor?

I think one of the things that the audience will appreciate a lot about the show and what makes it unique is that at the end of the day, it's a family show. It's about a family, so you've got all these dynamics that I think people can relate to, even though it's this fantastical world, and there's the moon, and they're Inhumans, and all of that. It's relatable because it's very much about the fact that life is not always black and white. People aren't black and white. No one's only good and only bad. People can be both good and bad. Family dynamics are a complicated thing. I think that is, to me, one of the most interesting parts of it, because it's relatable.

You mentioned good and bad -- is your character good or bad?

I hope that I'll get to be a little bit of both. But I don't know.

Interested to hear about the tone of the show -- Inhumans has a very specific tone in the source material, with not a lot of wise-cracking like some other Marvel characters. What's the tone so far?

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It is incredibly grounded. Like I said, even though it's this fantastical world, it's very much grounded. But I'm certainly a lighter part. It's not always totally heavy. Just like life, you can have serious things happening and there's still comedy in it. I would say it's just an accurate reflection of how life is. You can have heavy moments, you can have moments that are a little bit lighter, you can have times where you laugh, you can have times where you cry, you can have times where you're angry. It reflects that accurately, I think, tonally.

If you could compare it with other Marvel properties -- Guardians of the Galaxy, X-Men and such -- where would you place it in the spectrum of super-fun comic book hero movie, or grounded and gritty?

I think I would put it in the middle. I would put it in the middle just because there are moments where it's not just focusing on the parts of their lives that are only heavy and intense -- it certainly does -- but then there are dynamics within the show, within the characters who work with one another, that are really interesting and provide a little bit of levity. Not in a, "Now we're on a multi-camera sitcom!" but just interesting dynamics, because we've got quite a big ensemble and a lot of different characters, and each character is a very specific character. So when you get these very unique or specific or defined characters and they interact, you get interesting dynamics. Some of them are heavier, and some of them are lighter.

How about your character's costume -- how does she look?

Great. [Laughs]

Do we see any interactions between Inhumans and other Marvel characters at any point?

That I genuinely don't know.

Ellen Woglom as Louise on Marvel's Inhumans.

This is a curiosity question, but shooting the first two episodes in IMAX is different in terms of normal TV needs, just because obviously the sets need to be much higher and everything. Did you feel a shift, moving from the first two episodes that were shot in IMAX to the ones that are just for TV?

Yeah. For sure, we felt a shift. I don't know if that will translate in watching it. Doing the IMAX, the first two episodes, the scope of it was so huge. You're essentially shooting a movie in like a month. So that was crazy from a crew standpoint and a production standpoint -- for the special effects guys, for the visual effects guys, for art department, for all the people that are so crucial. When I say "ensemble," it doesn't just mean cast. The whole thing is an ensemble. So it was probably hardest on them, because they're working their butts off trying to make not just a character-driven movie, but a movie with special effects and all this crazy stuff happening. It was intense. It was a lot. It was a lot for everyone.

After episode 2 -- it's still a lot, it's still a big show to shoot for TV -- but we shoot eight-day episodes. Then it goes into normal. So we did a month for the first two episodes, and then you go into eight days per episode. It gets now into normal TV time, but at first it's like, "Movie." "TV." But visually, I think it will all be the same, so it'll be interesting to see if that's felt on the other end, because it was so intense.

Did they need to rebuild the sets or anything? Or did they just shoot it different ways?

Everything stayed the same. It was really more a schedule shift -- and maybe people on the crew getting a little bit more sleep. [Laughs] Minimally. But nothing in terms of, "Now we have to go to our TV set." That's all the same. Everything's the same. I don't know if the audience will ever know that there was a different. It's probably just from a scheduling standpoint, and trying to cram so much in, and the scope of it.

How big of a scale is it, early on? You wouldn't shoot in IMAX if it wasn't big.

It's big. Visually, it's really big, yeah. When they say, "It's going to be unlike anything that's ever..." I really think it will.

Did those first two episodes feel a little bit more self-contained before kicking off into a more episodic nature of the later ones? In terms of those first two that are filming in IMAX, how different do those feel?

Roel [Reine], the director, is a very strong visual director, so I think seeing the first episodes in IMAX -- and I think that's why it's great that it's partnering with IMAX -- is going to be such a visual experience. From a shot standpoint, from the sets that they've built, from the world, from the costumes, from all of that, and the way that he shoots a scene -- IMAX is a good fit for it.

The first two episodes of Marvel’s Inhumans will debut in IMAX theaters on Sept. 1 for a two-week run, and ABC will begin to air the eight-episode series on Sept. 29.