DC’s“The Brave and the Bold” has gone through many iterations in the half-century since it was first published. When its first issue hit stands in 1955, it was a venue for period heroes like Silent Knight and Robin Hood. Twenty-five issues later it became a sounding board for new characters. And by issue #50, it became the DC team-up book fans know and love today. Thanks in no small part to the success of the infamous Adam West “Batman” TV series, the end of the original “Brave and the Bold” run was decidedly Bat-heavy. But the new re-envisioning of the book by veteran comics creators Mark Waid and George Pérez will not be as Bat-centric as the “Brave and the Bold” of old. Though the Dark Knight will be one of the headliners of the first issue.
“Dan Didio pitched it, actually,” Waid told CBR news, of the new “Brave and the Bold’s” origins. “Knowing that the whole landscape of the DC universe would be transformed by ‘Infinite Crisis’ and the fallout from that, the idea was to create a series that would be a travel guide to the DC universe, if you will,” Waid explained. “It can’t just be fun little stories about Batman and Supergirl teaming up against Two-Face because that doesn’t leave any impact on the DC Universe – it doesn’t make it a must-read story. So the goal with ‘Brave and the Bold,’ and the reason that we’re doing rotating casts and rotating characters, is so that every arc can contribute some new idea to the DC universe that can be used by other writers and other artists. Whether it be a new planet, or a new alien civilization, or a new villain or a new hero, the idea is that every arc needs to tell you something new about the DC universe that you didn’t know before.” The first issue finds Batman and Green Lantern on the trail of perhaps the greatest weapon in the DC Universe, a pursuit which leads them all the way to the gambling planet, Ventura.
“So the cast just sort of builds like that,” Waid continued. “I call it a ‘plot baton,’ which is to say that we can hand the plot back and forth between characters, and write characters into the story and write characters out of the story as the plot dictates.”
“Even though there may be, say, a Batman and Green Lantern logo on the cover, that doesn’t mean that there can’t be guest stars within the book moving in and out,” Waid continued. “I kind of want the element of surprise to always be there, that at any moment you could turn the page and suddenly there’s Batwoman, or suddenly there’s Green Arrow.”
Pérez, a veteran writer and storyteller himself, requested that Waid refrain from writing full scripts for “Brave and the Bold.” “So we’ve adapted the working process – now it’s a plot that we talk about over the phone, I’ll write it up sort of panel by panel with rough dialogue, with the idea that George is free to sort of re-pace it and break it down as he sees fit, and then I go back and finalize the dialogue,” Waid explained.
The first issue of the new “Brave and the Bold,” featuring Batman and Green Lantern, hits stands on February 21st.
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