Review: Richard Bruton on Windell’s Superhero Showcase, which “mercilessly takes the superhero ideal out the back and kicks it in the face a few times.”
Advice: Erica Friedman discusses condescending comics, using Tantric Stripfighter Trina and Executive Assistant Iris as exhibits A and B:
It can be argued that publishers only publish what sells, which is exactly why I chose these two specific series. I can pretty much *guarantee* than neither of them sold all that well, if at all. And, instead of investing in something groundbreaking, or heck, something marginally less sad, the publisher said that they approved of this utter crap. I’m all for having comic company execs walk around with signs that say, “Why yes, we ARE condescending assholes.”
She has plenty to say about fans and creators as well. When Erica gets on a roll, she takes no prisoners.
Art critique: Frank Santoro shows some panels from Jonah Hex to demonstrate how photo-referencing is killing comics art.
Review: How do I love thee, Wally Gropius? Ken Parille counts the ways.
Contrast: Sean Kleefeld reviews Jeff Parker and Steve Lieber’s Underground, and he notes that this very (visually) dark book is drawn with a wide-open format, where Lieber’s earlier Whiteout, which is set in Antarctica, has much smaller panels (the opposite of what one might expect). Bonus reading: Kleefeld is temporarily thrown by some curvy women in Dynagirl.
Review: Matthew J. Brady finds Curio Cabinet utterly incomprehensible, and he’s not afraid to say so.
Reality check: Bob Temuka points out that punching people in the head and knocking them out is really quite dangerous. Why haven’t they done a Law & Order about this?
Review: Kristy Valenti takes a dim view of the graphic-novel adaptation of Pride and Prejudice and Zombies.
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