CBR News participated this afternoon in a press conference held by Marvel Comics to discuss Stephen King’s “The Dark Tower: Gunslinger Born” #1, released next month. Sitting at the head of the audio table was Robin Furth, chief story architect of the hotly anticipated comic adaptation and long time associate of Stephen King. Also in attendance were Marvel editors Ralph Macchio, Nicole Boos, John Barber, as well as Jim McCann, Marvel’s Assistant Manager of Sales Communication.
Co-writer Robin Furth is acknowledged as the world’s foremost expert on all that is “Dark Tower,” having authored “Stephen King’s The Dark Tower: A Complete Concordance,” a massive encyclopedia of Stephen King’s opus, created originally for King’s personal use. Readers both new as well as familiar with King’s work may be surprised to learn that he had been developing ‘The Dark Tower” saga for thirty years, having written his first story featuring lead character Roland Deschain while still an undergraduate at the University of Maine. Besides the seven full-length novels in the “Dark Tower” series, the content has spilled out over the years into other works by the author. As such, there’s quite a lot of material to be catalogued, necessitating Robin Furth’s involvement as archivist and creator of the “Complete Concordance.”
“I’ve lived in Mid-World so long now, I feel as though I actually do live there sometimes,” Furth joked.
“Wizard And Glass” itself is a novel around 700 pages in length, making the plotting of the comic a challenge for Furth. “I tried to focus it so that the essence of the book came through,” she explained. “With transforming a book like this, you know that you’re going to have a lot of hardcore ‘Dark Tower’ fans, but you’re also going to have a lot of new readers who won’t have the background, so we were all really thinking about that.”
Furth found the comics creative process exhilarating, especially the collaborative aspects. “With the first issue, we were all trying to find our feet in how to work together. What’s happening now is if Jae thinks something should be changed slightly to make it work better visually, he can write to me, or Ralph, or John and makes comments about it, and we can have a dialogue about it. And so can Peter, which is really great. It becomes this big, collaborative thing. I think that makes it stronger.”
Visually, “Dark Tower” is also milestone, as it is the first time Jae Lee has put out an uninked comic, which as Lee fans know is quite remarkable considering the artist’s traditionally high-contrast, ink-heavy work. In the early stages of development, Marvel asked Jae Lee to draw four pages based on the opening of the first Gunslinger book. The original plan was for Lee’s colorist Richard Isanov – whom Barber was quick to point out is more accurately described as a painter – to paint the penciled pages, after which Lee would ink them, giving King two different styles of art to consider.
“We got those first pages and they were just extraordinary,” editor John Barber gushed. “It was like nothing we’d seen before. We knew there was no reason to have a version 2.”
“[Stephen King’s] really, really pleased with it,” said Furth. “You can’t get higher praise than that!”
Indeed, everyone involved in the production of this series indicated their profound satisfaction with the finished results, despite an uncharacteristically lengthy production process. “It’s pretty much been a full time job,” John Barber confessed. “Unfortunately, there are thirty-four other books we’re working on. But it’s been a lot of fun. It’s been great work with everybody. It was really exciting to see the book go out the door and go to the printer and see the first runs of it back from the printer. It looks beautiful.”Marvel’s Dark Tower site.
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