Official Press Release
TAMPA, FL., December 27, 2002 – The bags are packed and boxes filled as two
new faces make the move to Tampa, two old faces move to new titles and an
old friend moves away. The end result will see some new changes on the art
teams for THE PATH, SIGIL, and CRUX.
The changes include:
- As of #13, Matthew Smith will be taking over as penciler of
THE PATH as Bart Sears focuses on his role as Art Director full time.
- As of #22, inker Roland Paris moves to CRUX as Rick Magyar
moves to new CrossGen title SOLUS.
- The new art team for SIGIL will consist of new penciler Dale
Eaglesham, regular inker Andrew Hennessy, and regular colorist Andrew
- Finally SIGIL penciler Scot Eaton, who has been with
CrossGen for two years, is leaving the palm trees and sunny beaches of
Florida to pursue other opportunities.
Matthew Smith comes to CrossGen from Albany, New York where he last worked
on Nightcrawler for Marvel. Before that, Smith penciled DC’s Day of
Judgment, and short stories for Mike Mignola’s Hellboy. Smith is delighted
about the opportunity of working on a book like THE PATH.
“I’m looking forward to drawing a book that is as complex and interesting as
THE PATH,” Smith said. “The story and environment is one that no one touches
on in American comics. It’s a mix of realistic and fantastic elements unlike
anything we’ve seen before. I’ve never felt very comfortable working with
over-the-top super heroics, so to work on a book like THE PATH is a dream
This change comes as THE PATH’s regular penciler; Bart Sears leaves the
title to assume his role of Art Director full time. As Art Director, Sears
oversees production of CrossGen’s 14 monthly titles as well as three new
products from Code 6 Comics.
“The art directing duties at CrossGen have just kept growing,” said Sears.
“Even with six assistant art directors, each specializing in their own
areas, the workload is very high. Matt Smith did a tremendous job on THE
PATH #9, as a relief artist, and he was our only choice for taking over the
penciling work. He’s already raising the bar to a new level.”
Roland Paris, who started at CrossGen in June as a relief inker, is looking
forward to the challenge of inking Steve Epting’s pencils on CRUX.
“It’s good to be on a regular title after doing relief issues,” said Paris.
“I really enjoy working on Steve’s stuff. It’s a different style than I am
used to inking, so it has been quite a challenge to live up to what Rick
did, and uphold the artistic integrity of the book.”
Current CRUX inker Rick Magyar will be moving on to SOLUS, CrossGen’s new
monthly title, inking the pencils of comics legend George Pérez.
“I have thoroughly enjoyed the work that Chuck [Dixon], Steve, Frank
[D’Armata] and I have done for nearly two years and consider it the finest
collaboration I’ve been involved in,” said Magyar. “But now, I find myself
very pleased with the work I’m doing with Barbara [Kesel], George, and Larry
[Molinar] on SOLUS. I anticipate excellent individual efforts from all of us
on a book that is sure to sweep the reader off on a cosmic roller coaster
Current SIGIL penciler Scot Eaton is leaving the sunny Florida coast and
moving back to Vermont after spending the past two years at CrossGen.
“It’s been a great two years. I value the friends I’ve made, some of whom
will be friends for life,” said Eaton. “I wish CrossGen the best of luck
with all their future endeavors.”
“I’m very sorry to see Scot go,” said Sears. “He’s a gentleman and an
excellent artist. He came into an unstable situation and made that book his
own. He’s really created a vivid and believable universe, his design work
alone is remarkable. Through his run on SIGIL, he has filled page after page
of powerful artwork that just reaches out and grabs you. He leaves a huge
void that has not been easy to fill.”
Stepping into the fold is penciler Dale Eaglesham, who comes to CrossGen
from DC Comics where he has distinguished himself as a premier talent
through his work on Green Lantern.
“It’s very exciting to be joining such a quality organization,” Eaglesham
said. “CrossGen is setting new industry standards and I’m proud to be able
to be a part of it. This can only become a very stimulating and rewarding
experience. I look forward to it.”