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Bad Girl: Jaime King talks about ‘Bulletproof Monk’

by  in Movie News, TV News Comment
Bad Girl: Jaime King talks about ‘Bulletproof Monk’

At the ripe age of 23, Jaime
King is on her second career. She started modeling under the name James King in
her teens and before long found herself on the covers of major fashion
magazines. Two years ago she made her debut on the big screen with bit parts in
movies like “Happy Campers” and “Blow.” Next week her career
will take another turn when she plays the lead female role in “Bulletproof
Monk” opposite Seann William
Scott
and Chow
Yun-Fat
.

MGM Studios has provided CBR readers with this Q & A session with King about the movie.

Q: Tell us what is going on here.

KING: Right now we’re doing my first fight scene, the scene where I meet Kar
for the first time. We do a dramatic fight, so they are back there right now
with the stunt doubles working out the choreography.

Q: You’re going to be fighting?

KING: Yeah, Seann and I have been training since November. We will also be on
the wires doing moves.

Q: What was the training like?

KING: It was great — 6 to 7 hours a day of gymnastics and kung fu and
martial arts with kicks and all kinds of different styles. Then we came up here
and had rehearsal time on the wires.

Q: Have you done anything like this before?

KING: That’s one of the reasons I really wanted to do this role. It’s so
physical, and the idea of acting and doing all the physical stuff really
appealed to me. I’m pretty athletic and I feel like it’s a cool thing to
incorporate something like this into your craft.

Q: Is it really fun?

KING: Some of it can be really challenging, but the human body is amazing –
how resilient it is and how far you can push it and how far you can really go.
Who doesn’t want to be in the air on wires flying around?

Q: What was the hardest part about the training?

KING: I would say the most challenging part about training is just getting
certain moves integrated into your body. Sometimes I would do a kick over and
over and think, “Oh my God, I can’t get this kick right,” and then,
after a couple of days, all of a sudden I could do it. It clicks and your whole
body gets it.

Q: I heard you had to learn to speak Tibetan.

KING: I did. There’s a scene in the movie when I first meet Chow Yun-Fat and
Seann William Scott (the Monk and Kar), and I start speaking in Tibetan with
Chow Yun-Fat’s character about Kar. Kar is pretending he knows what we’re
talking about, but he has no clue at all.

Q: Were you speaking actual Tibetan. How do you learn that?

KING: You get a dialect coach and go through every single part of it.
Practice makes perfect.

Q: What is your look for this film?

KING: It’s sort of renegade. These are street kids, this is their hangout,
and their dress is about being able to camouflage and be a part of their
environment. They need clothes they can move and fight in. The costume designer
is really amazing. We went through so many looks before we decided what Bad Girl
should look like. Then, on the other hand, there’s Jade – I play a dual
character, and she dresses completely differently. The contrast is really
incredible.

Q: Why is she called Bad Girl?

KING: When Kar first sees her, he eyes her when he is about to get his butt
kicked by my gang members. He turns around and is like, “Bad Girl.” He
looks at me and he calls me out. That’s how I am dubbed.

Q: He’s in a precarious situation…

KING: Kar is in a precarious position because he has started to pick pockets
on our turf, and our gang leader, Fuktastic, is getting ready to beat the crap
out of him. After his failed attempts to try to get out of it, he comes to me
like, “Hey, do you think this is a fair fight? Can you help me out
here?” and I’m like, “I’m sorry, I can’t help you out.”

Q: That’s when you first meet each other. Then, quite a relationship
develops.

KING: By the end of that scene, I essentially help get him out of the
situation. We have a very resistant relationship. He awakened something in me
and I awaken something in him. We both grow up at the same time, and it’s this
battle of not wanting to really discover or feel the emotions that we’re feeling
when we’re around each other.

Q: There is some chemistry, do sparks fly?

KING: There’s definitely chemistry. It’s all emotion in our interactions and
exchanges.

Q: You said it’s like a conflict for you…

KING: Yeah, because I don’t know this kid. I don’t know where he comes from.
All I know is that there is a connection between us. I’m afraid that people
aren’t going to love me for who I am, so I run around with this gang pretending
to be this bad chic. Then, I meet this kid who all of a sudden I’m falling for
and I don’t understand why. Then, the Monk awakens Kar to his own enlightenment,
and it becomes a triangle where we are all awakening each other.

Q: What is it like working with Seann?

KING: It’s really great. He’s so awesome and fun. I first met him at the
screen test and we got along. Now, we have a really great relationship because
we’ve had all this rehearsal time. It’s great to know how you’re going to
interact and how you work with someone.

Q: Have you had a chance to work with Yun-Fat yet?

KING: We have rehearsals and things. He’s so gracious and cool. The way he
carries himself is amazing. He is a really, really kind, gentle person.

Q: How would you describe the style of this film? Very cool looking…

KING: It’s very dramatic and very dark and very quick — like a cross between
“Indiana Jones” and “Flight Club.” It’s going to be different from any other movie
that you’ve ever seen. We’re all from such different places. There are so many
different things going on at once to create this wonderful film. I’ve never seen
anything shot the way these things are shot.

Q: Are you having a good time?

KING: I’m having a great time, it’s really fun.

Q: How were you approached to play this role?

KING: I specifically remember the moment that I read the script and the
moment I knew I wanted to do this film. I was lying in bed and as I was reading
it, I could visualize myself in the part. I made the choice. I said I’m going to
get this role no matter what. I don’t care what I have to do, I’m going to be in
this film. I remember telling my agent this, too. I auditioned five times and
did a screen test and a physical test. It was really a cool process because I
got to work with Paul and the casting director and play it in different ways. It
made receiving the role so much more incredible for me because I worked so hard
to get it.

Q: What was it that made you say I have to have this role?

KING: There was something that resonated true to me. I knew that there was
something within me that authentically could understand where she was coming
from on a lot of different levels. You have to relate to the character in some
way. I also felt like the script had a lot to say, a lot to say in a way that
hasn’t been said before.

Q: You said you read it and you were determined.

KING: I was going to do whatever it took to get that role. I just know I was
meant to play it and that I could put so much love behind the role. It was
really great to go in there and prove myself.

Q: Tell us about Jade.

KING: Essentially, Jade is looking for purpose and meaning in her life. She
has an innate desire to help people. She has a true interest in the world and
the things around her, but I don’t think she necessarily knows what that is
about. It’s something she is awakening to and discovering. She wants something
to love and take care of, but she is very protective of herself because she
doesn’t know what she is worth. She finds it with her gang members, her attitude
and toughness and fighting. Then, when she meets Kar and the Monk, she can’t
deny that she is good and that she is here to help save the world. When she
chooses to save the scroll and to protect the Monk, she has found her soul’s
purpose. She will sacrifice anything for that. It’s an incredible journey for me
to be a part of that and to awaken those things within myself. I think everybody
is looking for purpose so it’s really cool to play a character that finds it.

Q: Does she show a hint of vulnerability? What’s her relationship with Kar
like?

KING: He is the first one who sees through the fighting. We all have people
like that in our lives, who can see through us. At some point, we allow
ourselves to be revealed to them and that’s an incredible thing. I think that it
takes a lot for someone to say, “I see through you, I know what you’re
about.” Kar is always doing that. He doesn’t allow her to run the usual
things on him that she does on other people. He just calls her out on it.
Eventually she gives up. I think that she feels safe to do so.

Q: She understands he is one of those people.

KING: They battle each other, but then they realize they are both looking for
a purpose in their lives. I think that they come together because they have
something to save and protect. That’s a huge responsibility to share with
someone.

Q: What has your experience been like on the set, is it what you expected?

KING: No, it’s not. It changes all the time. I’m learning something new
everyday. I’ve never done so much action and acting at the same time. It’s a
completely different experience. It’s tough, but at the end of the day I feel so
fulfilled. We’re putting so much energy into it. We’ve trained for so long and
as we come to the completion of this project I know that everyday it just keeps
getting better.

Q: You haven’t had to be as physical before?

KING: No, not like this wire work and kung fu, fighting and punching and
kicking. It’s amazing how focused and really present you need to be. It’s just
awesome. It’s unlike any other movie I’ve ever done before.

Q: Talk about training… wire work …

KING: Seann and I both started training in early December in Los Angeles.
Then we came up here a couple of months early and trained everyday 5 to 6 hours
a day doing kung fu, Hong Kong Street fighting, tai kwon do, and wire work. The
idea of being paid to learn how to do kung fu and to act and learn from
incredible actors and great producers and this visually amazing director – it
was something I really wanted to try and that I knew I could do. I mean, your
body also looks incredible after all that training. [laughs]

Q: Was it something that you took to right away?

KING: You have to memorize the techniques and the forms and integrate your
consciousness and your body at the same time so that it becomes fluid.
Sometimes, getting your head wrapped around these moves can be really
overwhelming. When you’re enthusiastic as an actor and you want to get it down
so perfect and then you don’t you’re so frustrated! You have to remind yourself
that you do the best you can. We’ve got really great people teaching us and
that’s been another incredible blessing. The people I’m learning from are just
so awesome.

Q: What makes them special?

KING: Their experience, patience, support. They have been with us from the
very beginning and it feels so good. The other day I did a really awesome wire
kick and it felt so good to have my fight team around me, the people that have
been teaching me from the very beginning, rooting me on. I kept thinking to
myself, “I have been training for 4 1/2 months for this and I’m going to do
a great job and I can pull this last one out of me.” It was an amazing
feeling to come that far.

Q: Talk about your relationship with Seann professionally and personally.

KING: We don’t get to spend that much time with each other because we are
working so much, but we have a great time. It’s really easygoing and free
flowing. We have fun together and goof around and we both have a strong passion
for this movie. It’s funny because every time we want to do something, we have a
big scene the next day, or have been working every day, even our days off. Seann
is really an inspiration, you know. He works really hard. It’s so wonderful to
work with people who are that enthusiastic about their jobs. Seann is definitely
enthusiastic about what he is doing, so it’s been really cool to watch that.

Q: Were you excited when you heard Chow Yun-Fat would be in the film?

KING: Oh yes, I was really excited. He encompasses an incredible amount of
grace. He’s so funny. I’m learning so much from the way he handles people and
himself on set. Also, he is really efficient with time. He comes and he stands
on his mark, he is there for the camera guys, he is there for the rehearsals, he
is very crisp and clean and clear about what he’s doing, he gets his things
done. He is very purposeful with his energy and his time on set. There is a good
energy because he has a lot of gratitude. He is really easygoing, and
lighthearted. He doesn’t take anything too seriously and he’s joking around a
lot and I think it’s nice to have light energy like that on the set. It really
frees things.

Q: What is your experience working with Paul?

KING: He knows what he wants visually, but it’s still so much magic. He’s
like a little kid when he gets amped or excited about something. It’s been a
great process to work with him and to learn what he is looking for and how he
sees things. He’s really ahead of his time. I think that what he is creating is
going to be completely different than anything we have ever seen. I know he
admires David Fincher and Tim Burton, but he is melding everything together. I
see him really work hard on each shot. Visually, it’s so rich. One of the
special things about this film is that it’s fantasy, but there’s truth. They’re
creating scenes that really make you want to jump into the screen. It makes you
want to drip with life and newness and anticipation because there’s promise of
something greater out there. Paul has an incredible ability to capture the
urgency behind the story.

Q: Does he help you develop your character?

KING: The story evolves and as we evolve throughout the film. Jade evolves as
well. Our process has just been constantly talking about that and building on
that and keeping communication open.

Q: Do you think this film is going to have a wide appeal across countries?

KING: There are so many different things in Bulletproof Monk that different
people can relate to, whoever they are. And who doesn’t want to see someone save
the world?

Q: Any thoughts looking back… what stands out as memorable?

KING: This has been such an incredible journey of personal experience. We’ve
been filming for six months and it’s amazing to see how the characters have
evolved. I just did my big fight scene over the past three days and that was an
incredible experience. It just gets better and better each time. I think we have
two weeks left, but it still feels like I could go back and do it all again.

Q: Talk about this Nina fight… what was going on there?

KING: It was some serious cat fighting. I got my first official injury on
set. Nina whips out her baton and goes to hit me with it and actually impaled my
eye. Three days, 15-hour-long days, fighting, wire work, being thrown into walls
and punching each other and kicking and shoving and hair pulling. It’s pretty
fun.

Q: You seem so resilient. What is the secret of being able to bounce back?

KING: When you really love what you’re doing, you want to do it the most
excellent way that you can. Also, after six months of training, you become used
to focusing that much and putting all that energy into it. Then you start seeing
how good it is and how good it can be. Then you just get really excited and your
enthusiasm just takes you all the way through.

Q: What was it like doing the fight scene on the wire?

KING: I don’t think I’ve ever seen anything like it for women, which is
really cool. We’re like, “We’re going to make this the best women’s fight
scene you have ever seen in your entire life.” I get to run up the wall a
couple of times, then jump off the wall, doing back-spinning kicks. You never
grow up thinking you’re going to do something like that and then all of a sudden
there you are doing it, and it’s incredible.

Q: This is stuff audiences haven’t necessarily seen before.

KING: Because we’re mixing so many influences, it’s an incredible combination
of all these different styles. I haven’t seen anything like it, and that’s how I
feel about this film in general. It’s Eastern and spiritual and then Western –
it’s pretty amazing.

Q: What stands out in your mind that you are most proud of?

KING: Getting through three 15-hour-long days of just fighting. There are
times on the wires when I would be so exhausted and then all of a sudden I would
look around and see the fight team and the director and the other actors and I’m
inspired. All this energy comes rushing, and I get it right and it’s the best
feeling when it comes together perfectly and it’s going to be immortalized on
celluloid.

Q: Is there a favorite thing you learned…

KING: The wire work. I’m pretty good at it and it’s so much fun, like flying.

Q: And you must look back . . .

KING: I feel a huge sense of accomplishment. As it’s winding down, I have
greater clarity on how much work and how much fun I have had. I am proud of all
the work that we’ve done, so I’m starting to get really nostalgic and
sentimental.

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