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Anatomy of a Joseph Michael Linsner Cover

by  in Comic News Comment

Scheduled to go on sale March 19 is Image Comics’ “Dark Ivory” #1, the new project by celebrated Dawn creator Joseph Michael Linsner with Eva Hopkins. Set in the bloody streets of New York, the four-issue miniseries tells the tale of Ivory, a teenage girl who wishes she was a vampire — until she meets one at a party, and learns the hard way the price of getting too close to one’s dreams.

In anticipation of “Dark Ivory” #1, CBR News presents a behind-the-scenes look at the evolution of a Jospeh Michael Linsner cover with commentary by co-creator Eva Hopkins.

For a preview of “Dark Ivory” #1, click here.

Story continues below



By Eva Hopkins

For a comic book miniseries that took eight years to gestate, nothing is more
apt to cause anxiety and intense discussion between co-creators like the
cover to your very first issue. I am lucky to work with the hottest pin-up
artist in comics, in my opinion, but you still have to work things out as the ideas
change. Here’s a sneak peak under the covers of Joe Linsner.


This wound up being the first pose that Joe whipped up
that was close to his vision, but we both knew it wasn’t quite there yet.
Neither of us wanted to see Ivory’s debut having her look so forlorn.


Here you can see that Joe has found a completely different
figure than the first sketch, but the essential composition is the same –
all the important elements from the previous idea are there. Ivory is
obviously more fleshed out and has a hopeful expression.


Okay, now we’re really cookin’. The Ivory figure is really
rendered and polished, and that background was lovingly painted by Joe. Note
the prominent dimple, or small cleft in Ivory’s chin; that was a new
development. However, the warm yellow-gold color of the background didn’t
knock my socks off. It needed more contrast. Joe was still undecided at
this point, too.


Although I liked this better, it didn’t “click.” It was
almost too colorful.


This was the winner. The moment I saw this painting, I
knew it was the way to go. Ivory’s warm skin colors really pop, and she
feels like her world is monochromatic and boring – it works on an aesthetic
and
storytelling level. Bingo! Nice work, art man!


I’ve never really been into variant covers one way
or the other, but folks really seemed to want a “Dark Ivory” #1 limited edition – we
got a lot of email requesting it. I’m a pretty cheerful sellout – give
the people what they want! Joe decided to go with a Dark Ivory Nouveau
piece, obviously inspired by the work of Alphonse Mucha. This piece is
unusual in that Joe worked up the background details before the figure.
Usually the figurework is done first.


Joe has clad the skeleton of the sketch with some
lovely flesh. His favorite design scheme – using a limited pallet of
black, white and red — is used to good effect.

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Anatomy of a Joseph Michael Linsner Cover
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