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decades of there being just two main comic book universes, there was a flurry
of new universes created in the 1990s. But even with the multitude of multiverses
out there, it’s still worth noting when one of the Big Two do it.

Over the past few weeks, Tom DeFalco has been mapping out a new universe in
some of the most exclusive comic book real estate: The Marvel Universe. The
new universe, dubbed “MC-2,” isn’t a total universe, though: It’s a possible
near-future for Marvel Comics, featuring the children of Spider-Man, Avengers
and the Juggernaut in their own titles.

“The initial response to MC-2 has been terrific,” DeFalco told the Comic Wire
earlier this week. “While the advances orders weren’t as high as I’d hoped they’d
be, Marvel was pleased by them. Marvel even decided to offer retailers a 25
percent overship on the titles. According to the information I’ve received,
‘Spider-Girl’ #0 was an instant sell-out. ‘Spider-Girl’ #1 and ‘Avengers Next’
#1 appear to be almost sold out, and I’ve got my fingers crossed for ‘J2’ #1
(which goes on sale later this week).

“Fan reaction to the books has been great! The enthusiasm and support has
been exceptional!”

But even as fans have embraced the titles, some have grumbled that they’ve
been down this road before: Marvel Comics created the much-ballyhooed New Universe
in the 1980s, bought the Ultraverse titles in the 1990s and created a possible
future in their 2099 line. And none of Marvel’s experiments with non-Marvel
Universe titles are still in print today.

DeFalco vigorously disagrees:

“Marvel’s Epic Comics was around for over 10 years. Marvel’s Star Comics lasted
for over five years. Marvel’s 2099 lasted beyond three years. Titles like ‘The
‘Nam,’ ‘Strikeforce Moritori,’ and ‘Conan’ all had very long and successful
runs. And there are plenty more titles that had long and healthy runs!

“I’ll count MC-2 as a success if it lasts as long or longer as any of the

The series spun out of an issue of “What If?” (reprinted as “Spider-Girl”
#0), which told the debut of Peter and Mary Jane Parker’s daughter, May, as
the next generation of webslinger.

“I first started thinking about this series when we learned that Mary Jane
Parker was pregnant. I thought the fans would love to see Peter’s adventures
with his daughter. Ron Frenz and I wanted to do a story together, and I suggested
the What If. Thanks to the reactions of the fans, the What If led to the creation
of MC-2.”

Over the next few months, fans can look forward to characters both new and

“The new Avengers take will meet the Earth Sentry, battle the original Defenders,
recruit American Dream and her Dream Team, fight side by side with the Coal
Tiger and eventually learn what happened to the original Avengers.

“Spider-Girl will meet a host of new villains like Crazy Eight, Spyral, and
the Dragon King. She’ll also run across Darkdevil, the Fantastic Five and the
Venom Symbiote.

“J2 will battle the Uncanny X-People, meet the niece of Mastermind and the
daughter of Wolverine, take on the incredible Hulk and begin a search for his
dad. He’ll also meet at least one new super villain every month!”

But don’t look for any crossovers between the three titles any time soon.

“While the characters will guest-star and pop into each other’s books, I have
no plans for any multiple-book crossovers! I want every MC-2 to be self-contained.
I think the fans are tired of crossovers.”

Each of the books has tossed out a half-dozen or more concepts for this future
Marvel Universe, many of them in passing. Fans who want to see more of the Fantastic
Five – with Franklin Richards and the robot from the old “Fantastic Four” television
show as members – or any of the other characters just need to let Marvel and
DeFalco know.

“We may add another title some time next year if the fans demand it. (But
only one more!) It could be the FF, or the Uncanny X-People, American Dream
or any one of our other new characters. The fans will get a chance to tell us
who they want.”


It was
only a few years ago that Joe Kelly was a comic fan like the millions of comic
fans worldwide. One meteoric ascent later, he’s the writer on one of the most
popular comic books in the world and an overnight superstar.

The two Marvel Comics books he writes, “X-Men” and “Deadpool” couldn’t be more
different: One features the anguished adventures of mutants sworn to protect
a world that hates and fears them, the other is a tale of a wise-cracking antihero
destined to save the universe.

Kelly told the Comic Wire this week that his sudden rise has been “sometimes
more overwhelming than a love-fest, but that’s just because the company is in
such odd shape and everyone is scared. When things settle down, life will be

He’s got big plans for both his books, he said, starting with the X-Men, who
have just reunited with their prodigal members Nightcrawler, Colossus and Kitty
Pryde, who until recently starred in their own title, “Excalibur.”

“The team, as you saw in the anniversary issues, is due for a shakeup, with
the cast being pared down, as well as the return of certain characters to the
fold. I’m excited about the return of the Excalibur guys, they’re childhood
faves, and I can’t wait to get to know them as a writer, and not just a fan.”

His plans for “Deadpool,” on the other hand, are a little more up in the air,
by necessity.

“[They depend on wheter] Marvel cancels the book or not. They raised the cancellation
threshold from 25 to 35,000 copies, and anticipate that Deadpool won’t make
the cut. If we don’t, [issue] 25 will be the end, and will close out the series
nicely. If it does, then next year will involve a lot of secrets being revealed
about Al, T-Ray, Wade, etc.”


It’s been
two weeks since the Eisner Awards were given out at Comic-Con International
in San Diego. The awards, although the most-prestigious in the field, don’t
necessarily mean as much as the Oscars or Grammys mean to recipients in the
film or music industries, recent winners told the Comic Wire.

“They’re always a delight, but I generally don’t consider awards a big deal,”
said Kurt Busiek, who picked up another set of awards for his work on “Kurt
Busiek’s Astro City” this year. “Winning them is nice, but they don’t affect
doing the job.”

Evan Dorkin, the creator of “Milk and Cheese” and “Dork!” and the winner of
Best Short Story for a story in “Dork!,” #4 has a reputation for being something
of a cynic, but says that the Eisners he’s won this year and in year’s past
mean a lot to him.

“Maybe that’s unhip to say, because people are supposed to be all humble about
awards and the like, but I’m very pleased with the awards I’ve received in the
past few years. I didn’t get into comics to win awards and I don’t work to get
nominated or anything, but I can’t say it isn’t a kick to win an Eisner or a
Harvey. If nothing else it means somebody’s paying some attention to what you’re
doing, someone’s reading and enjoying what you do. Whether I did or didn’t do
the ‘best’ short story of the year (I don’t think I did, to be honest — as
I said at the ceremony, I voted for Jaime Hernandez) — the strip triggered
enough of a response in enough people that they voted for me. That means something
to me, even though I know awards are flawed and kind of crazy. Who’s to say
really what was ‘best’ — it’s all an opinion poll, a popularity contest of
sorts, and in the case of the Eisners, people vote from a pre-chosen field of
nominees. The awards I’ve won don’t fool me into thinking I’m a brilliant cartoonist,
but they do serve to remind me that someone out there reads my comics and likes
them. And that means a hell of a lot to me.”

Neither Busiek nor Dorkin thought the awards – both of them have won Eisners
in previous years as well – contributed to the long-term financial future of
their books.

“I’ve never been offered work or had a pay raise or seen a serious rise in
sales because of an award,” Dorkin said. “Many Eisner and Harvey winners sell
terribly and continue to sell terribly after multiple awards. The industry awards
are wonderful ways to recognize people and projects in the field, but they have
no real muscle beyond that recognition that I can see. Although I will say Slave
Labor sold a lot of copies of Dork #4 at the San Diego con after the Eisners,
although most people said they just wanted to see what kind of stupid comics
the idiot with the rambling Eisner speech did.”

“To be honest, I don’t keep” the awards, he said. “I have Will Eisner sign
the backs of my awards and then I sell them at twice guide value at the con
the next day. I got $22 for my last Eisner, which allowed me to eat that night.
Actually, they’re over on a wall above a bookshelf in the corner of my studio.
The new one’s downstairs somewhere, we haven’t unpacked everything since San
Diego. Ah, the exciting, thrill-a-minute life of a cartoonist.”

(RealAudio clips of the Eisner-award winners’ acceptance speeches, rambling
and otherwise, are available at CBR at


Paul Chadwick
is best-known for “Concrete,” the critically acclaimed, thoughtful stories about
a man trapped in a body of something like, yes, concrete. But although the star
of his stories may be slow-moving, Chadwick himself will be zipping along over
the next few months, adding to his body of work projects beyond his traditional
audience, as he told the Comic Wire this week.

“I’ve written a series for Vertigo that John Bolton is painting. ‘Gifts of the
Night’ is a fable about a king’s son and his tutor. The boy has visions which
seem to predict the future. The King starts to rely on this. The shy tutor realizes
the visions come from the lessons he teaches the boy; by this means he can shape
the King’s decisions. But he is soon taught the harsh lesson of power: you must
defend it from people more ruthless than yourself.

“The story’s purposely visionary in its imagery. The metaphors people speak
(‘anxiety gnawed at me’) are illustrated. It’s spectacular art from Bolton,
with a shining warm palette and influences from Klimt and Mucha.”

The series is scheduled to reach comic stores in December.

“What I’m most excited about is ‘The World Below,’ an adventure series intended
to tap the wilder parts of my imagination than ‘Concrete’ has allowed. It has
a simple premise: Below Washington State is a cavernous world hundreds of miles
in extent. It’s filled with bizarre creatures and machines, and people plucked
from the surface over the centuries. It’s chaotic down there.

“Six men and women descend to bring back some otherworldly technology. But
it isn’t easy; first, they must survive,” he wrote. “I’m now writing the early
issues, and hope to produce 18 to 20 issues over the next two years, with the
aid of an inker. It’s for Dark Horse Comics.”

“The next Concrete miniseries, ‘Stars over Sand,’ is delayed while I concentrate
on ‘The World Below.’ It’s plotted, though; a suspense story with (so to speak)
an existential theme. While wandering in the wilderness, ‘Concrete’ is robbed
of his memory by a lightning strike. The world, not to mention his body, is
an utter mystery to him. The story is about his fearful journey back to humanity.
Perhaps late 1999.”

And in the farther future, literally and figuratively, Chadwick is “writing,
but not drawing, an ‘Aliens’ miniseries: ‘Ichneumon Summer.’ Ichneumon wasps
lay their eggs in living caterpillars. The larvae eat their way out after they
hatch. It’s just one parallel ranger Juliette Stoker finds between the aliens
and the ecosystem she’s defending from them: Olympic National Park in Washington
State. Call it eco-horror. Four issues, artist not yet set. From Dark Horse.”


you don’t have a chance of getting into Overstreet’s Price Guide? Get yourself
a Web page and you may just have a shot after all.

“Fans who have their own comics-related Web site can click in [at],
give us their URL, and we’ll list it in a brand new section of our annual guide,”
said Benn Ray, Price Guide editor announced in a press release this week. “As
long as the site checks out to be a fan site and not a publisher or retailer
site, it’s eligible for the list. We’re really looking for any comic sites,
but the more comprehensive and more dedicated the better.”

The issue, which will feature two recreated classic comic book covers by Alex
“Kingdom Come,” “Marvels” Ross, will be in comic book shops in April.