Here are the last three storylines on the countdown, as voted on by you, the readers!! Here is the master list of all storylines featured so far.
Note, there may be some spoilers ahead! You are forewarned!
NOTE: All of these storyline posts will be image intensive, so I’ll be spreading them over multiple pages.
3. “Born Again” by Frank Miller and David Mazzucchelli (Daredevil #227-233) – 1685 points (55 first place votes)
Born Again drastically re-shaped Daredevil as a character, in Frank Miller’s return to the book that made him famous.
This time, Miller was working with artist David Mazzucchelli, who was already doing very impressive work on the series with writer Denny O’Neil. However, Mazzucchelli was still growing as an artist, and in many ways, Born Again was his “coming out” party, as he at the very least equaled, and more likely SURPASSED the incredible artwork that Miller had done himself when drawing Daredevil years earlier.
The story is about what happens when Matt Murdock’s former secretary (and former love of his life), Karen Page, who had left the book to become an actress, was now a drug-addicted porn star. Desperate for drugs, Page sells Matt’s secret identity. Eventually this information finds its way to Wilson Fisk, the Kingpin of Crime, who uses it to systematically destroy Matt’s life (getting him disbarred, freezing his assets, etc.).
Then, in one of the best scenes you’ll see, Kingpin also blows up Matt’s brownstone – and then, Matt realizes, all of the terrible things that had been happening to him, they weren’t just bad luck, they were because of the Kingpin!
One of the greatest chapter one cliffhangers in comic book history.
That realization, however awesome, is not enough to make Matt “born again,” as he still has to fall to the gutters before he can rise above it all.
The story arc is filled with so many great scenes that I devoted, like, a month, to cool moments from it, years ago.
But here’s a quick sampling…
1. Kingpin thinks he has Matt killed, but…
2. Kingpin realizes then that Matt may be more dangerous than ever, as after all…
3. Ben Urich knows something is up and is brutalized by the Kingpin’s henchmen into cowering away from his responsibilities, choosing to not even say Matt Murdock’s name out loud. This comes to a head when a crooked cop tries to come clean to Ben but is murdered while Ben listens on the phone. The way it is handled by Mazzucchelli and Richmond Lewis, who also colored this series, is stunning.
However, the effect of hearing a man murdered instead inspires Ben to bravery.
4. Miller introduces an interesting new character called Nuke, and becomes the first writer to extend the whole Super Soldier program into conspiracy theories, which leads Captain America to get involved. But Nuke’s involvement helps bring Daredevil back (after Matt and Karen reunite, as Miller redeems Karen), and his return is, well, amazing – Mazzucchelli and Lewis do SUCH an amazing job on the return of Daredevil. A totally iconic shot of Daredevil in front of flames.
Miller, Mazzucchelli and Lewis depict the Avengers in such a way that evokes how Alan Moore, Stephen Bissette and John Totleben handled the Justice League in the pages of Swamp Thing – and it’s the way you’d almost expect superheroes to be depicted in the “real” world.
And the whole thing ends on such an optimistic note. What an awesome series.
2. “The Dark Phoenix Saga” by Chris Claremont, John Byrne and Terry Austin (X-Men #129-137 – 1985 points (62 first place votes)
The last few issues of the Dark Phoenix Saga, where Phoenix actually BECOMES Dark Phoenix, almost overshadow the importance of the issues that lead up to Phoenix turning evil.
To wit, those issues (which actually were a bit of a cause for celebration for the X-Men, as they were finally reunited after being split up for a year or so – real time – as Jean Grey and Professor X thought that the rest of the team had died after a battle with Magneto) introduced the following characters:
The Hellfire Club, in general
Think about that – Kitty Pryde and Emma Frost are two of the more memorable additions to the X-Men since Giant Size X-Men #1, and they BOTH debuted in this storyline!
Not to mention the fact that the lead-up contains the fight against the Hellfire Club where Wolverine is thought dead, only to turn up at the end of #132 vowing revenge, in a panel is one of the most iconic panels in Marvel History…
And then Jean Grey snaps and becomes the Dark Phoenix and things get all sorts of crazy.
John Byrne really does a marvelous job on the battle sequences involving Dark Phoenix as the X-Men do their best to take down their friend. They try their best in #135, but she quickly defeats them and flies off into outer space. Her traveling makes her yearn for sustenance, which she gets by entering and imploding a star, soaking in the energy of its destruction. She does not care that the destruction of the star also destroys the planet it orbits. A starship of the Shi’Ar Empire notices, though, and challenges Dark Phoenix.
She destroys the ship easily, but not before it gets off a message to the Shi’Ar Royal Throneworld, where the Empress of the Shi’Ar Empire, Lilandra (Professor X’s current lover) springs into action.
Meanwhile, in #136, Dark Phoenix returns to Earth where her teammates and her love, Cyclops, await her with a device meant to shut down telepaths. She destroys it and once again takes care of her teammates with ease, but Cyclops manages to calm her down by appealing to her still human side. At this point, Professor X attacks, and he and Phoenix have a telepathic battle, where ultimately, due to the aid of whatever vestiges of Jean Grey remain in Dark Phoenix, he manages to shut Dark Phoenix’s powers down.
The X-Men do not have a moment to rest, though, as they’re instantly teleported to a Shi’Ar battleship orbiting Earth, where the Shi’Ar Imperial Guard and Empress Lilandra demand Jean Grey be delivered over to them for punishment for her actions as Dark Phoenix. Professor X utters a Shi’Ar ritual challenge, which Lilandra is duty-bound to accept. Therefore, in #137, the X-Men will fight the mighty Shi’Ar Imperial Guard for the fate of Jean Grey.
The next day, the teams meet on the Moon for their battle. The X-Men are heavily outnumbered and outclassed by the Guard, who are made up of the most powerful heroes of the Shi’Ar Empire. Although the X-Men fight valiantly, they are slowly picked off, one by one, until only Cyclops and Jean remain free. When Cyclops is taken out as well, Jean begins to panic and the limits Professor X placed on her begin to crumble – Dark Phoenix frees herself and wants revenge. The X-Men stand ready to battle Dark Phoenix, but Jean manages to take control long enough to intentionally trip a defense mechanism laser, killing herself so that Dark Phoenix can hurt no one else ever again.
It’s a terribly poignant moment, expressed beautifully by Claremont and Byrne.
What a combination of two great stories all mixed into one saga, while killing off a major character and introducing a bunch of new ones.
1. “Watchmen” by Alan Moore and Dave Gibbons (Watchmen #1-12) – 2590 points (106 first place votes)
To give you an idea of how much of a game changer Watchmen was, note that the PROOFS for the issues were passed around the DC offices – that’s how much even the other DC employees were enthralled in the story that Alan Moore and Dave Gibbons were producing. Everyone knew that this comic was special, and now nearly thirty years later, it remains a very special story.
A remarkable aspect of Watchmen is the fact that, past the fairly straightforward plot about an older superhero getting murdered, with his former teammates investigating his murder only to find out that it is all tied to a mysterious conspiracy, there is just so much detail and nuance.
Of course, most importantly, it opens with a Bob Dylan song lyric…
You can examine a single scene and get something new out of the scene practically every time you read it.
And that’s even counting all of the famous scenes that are awesome just on a straightforward reading of the book, like Ozymandias’ famous “I did it 35 minutes ago” line…
or Rorschach’s fight against the police…
or Rorschach’s first meeting with his prison shrink…
Dave Gibbons does not get enough credit for his amazing artwork in this story. There’s a sequence set in the past when the heroes were still all pretty naive (Rorschach was not even using his scary voice as of yet), and Gibbons gives us, ALL IN THE BACKGROUND, a beautiful depiction of Doctor Manhattan flirting with the Silk Spectre, all while his wife is right next to him. As the panels go by, not one doesn’t show some sort of interaction in the background of the panel – all of it is important to their characterizations, but none of it is central to the main story being delivered in those panels – so Gibbons basically was giving us two stories at once. The one Moore is telling with the speech balloons at the “front” of the panel, plus the one Gibbons is telling in the “back” of the panel through body language.
Granted, as great as Gibbons is, Moore DOES work full script, so while I am praising Gibbons, I have to make sure I do give Moore credit for the details, as well.
All in all, there is a reason that this was one of Time magazine’s Top 100 Novels of the 20th Century – it’s a masterpiece of comic book fiction, both in story and art – and decades later, it is STILL influencing comic book writers.